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In this Issue

Table of Contents

Editorial

  1. Toward Fairness, Morality and Transparency in Artificial Intelligence through Experiential AI
  2. Drew Hemment, Vaishak Belle, Ruth Aylett, Dave Murray-Rust, Larissa Pschetz, Frank Broz
  3. p. 426
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General Articles

  1. The Platonic Forehand and Backhand of Cybernetic Architecture
  2. Camilo Andrés Cifuentes Quin
  3. pp. 429-434
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  1. Documenting Media Art: An Archive and Bridging Thesaurus for MediaArtHistories
  2. Oliver Grau, Sebastian Haller, Janina Hoth, Viola Rühse, Devon Schiller, Michaela Seiser
  3. pp. 435-441
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  1. Art Let Loose: Autonomous Procedures in Art-Making
  2. David Hosking
  3. pp. 442-447
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  1. Can Musical Machines Be Expressive? Views from the Enlightenment and Today
  2. Steven Kemper, Rebecca Cypess
  3. pp. 448-454
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  1. The Entropic Envelope
  2. Hector Rodriguez
  3. pp. 455-460
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  1. Mathematics and Performance Art: First Steps on an Open Road
  2. Telma João Santos
  3. pp. 461-467
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  1. Computer Scientists with Serious Music Avocations Share Their Thinking
  2. Varda Shaked
  3. pp. 468-473
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Color Plates

  1. Color Plates
  3. pp. 475-478
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General Note

  1. Toward an Ontology of the Interface: Identifying the Interface as a Mediation Entity
  2. Cristina Sá
  3. pp. 479-482
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Technical Article

  1. Auguste Rodin Draws Blind: An Art and Psychology Study
  2. John Tchalenko, R. Chris Miall
  3. pp. 483-491
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Extended Abstracts

  1. A Review of ACD-STEMM Integration: Part 1: A Taxonomy of Integrated Bridges
  2. Robert Root-Bernstein, Ania Pathak, Michele Root-Bernstein
  3. pp. 492-493
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  1. A Review of ACD-STEMM Integration: Part 2: Controlled Studies of Transdisciplinary Tools-For-Thinking Bridges for Arts-Science Pedagogy
  2. Robert Root-Bernstein, Ania Pathak, Michele Root-Bernstein
  3. pp. 494-495
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  1. A Review of ACD-STEMM Integration: Part 3: Controlled Studies of Additional Transdisciplinary Bridges for Arts-Science Pedagogy and General Conclusions
  2. Robert Root-Bernstein, Ania Pathak, Michele Root-Bernstein
  3. pp. 496-497
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Statement

  1. Merging Art, Science and Motherhood to Save Joshua Trees
  2. Jennifer Harrower
  3. pp. 498-499
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Special Section: Leonardo Abstracts Service: Top-Rated LABS Abstracts 2018

  1. Top-Rated LABS Abstracts 2018
  2. Sheila Pinkel
  3. p. 500
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  1. Designing for the Mindbody in Technology-Mediated Music-Making
  2. Aura Pon
  3. p. 501
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  1. Gaze Relations: A Critical Analysis of Human Gaze and Computer Vision
  2. Anthony Assi
  3. p. 502
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  1. Shapeshifting the Colonial Object
  2. Sarah Rosalena Brady
  3. p. 502
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  1. Experimental Curating in Times of the Perpetual Beta: Strategies and Platforms for Online-Based Art
  2. Lia Carreira
  3. p. 503
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  1. The Return of Hephaistos: Reconstructing the Fragmented Mythos of the Maker
  2. Cheryl De Ciantis
  3. p. 503
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  1. Art on the Internet and The Digital Public Sphere, 1994–2003
  2. Megan Driscoll
  3. p. 504
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  1. Bay Area Experimentalism: Music and Technology in the Long 1960s
  2. Theodore Gordon
  3. p. 504
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  1. Choreographing Time: Developing a System of Screen-Less Animation
  2. Carol MacGillivray
  3. p. 505
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  1. Is there a Place in Human Consciousness where Surveillance Cannot Go? Noor: A Brain Opera
  2. Ellen Pearlman
  3. p. 505
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  1. St. George and The Dragon: Design and Production of a Cultural Heritage Museum Installation Using Media Archaeology
  2. Mercedes Said
  3. p. 506
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  1. Romantic Objectivism: Diagrammatic Thought in Contemporary Art
  2. Michael Whittle
  3. p. 506
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Leonardo Reviews

  1. Donna Haraway: Story Telling for Earthly Survival dir. by Fabrizio Terranova (review)
  2. Mike Leggett
  3. p. 507
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  1. Eternity Has no Doors of Escape dir. by Arthur Bornis (review)
  2. Mike Leggett
  3. p. 508
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  1. Weather as Medium: Toward a Meteorological Art by Janine Randerson (review)
  2. Jussi Parikka
  3. pp. 508-509
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  1. Toward Fewer Images: the Work of Alexander Kluge, 1st Edition by Philipp Ekardt (review)
  2. Will Luers
  3. pp. 509-510
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  1. High Static, Dead Lines: Sonic Spectres and the Object Hereafter by Kristen Gallerneaux (review)
  2. John F. Barber
  3. pp. 510-511
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  1. Displaying Time: the Many Temporalities of the Festival of India by Rebecca M. Brown (review)
  2. Jane Hutchinson
  3. pp. 511-513
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  1. Atlas of Poetic Botany by Francis Hallé (review)
  2. Mike Leggett
  3. pp. 513-514
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  1. Powers of Time: Versions of Bergson by David Lapoujade (review)
  2. Edith Doove
  3. pp. 514-515
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  1. The Prime Number Conspiracy by Thomas Lin (review)
  2. Phil Dyke
  3. pp. 515-516
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  1. Digital Renaissance: What Data and Economics Tell Us About the Future of Popular Culture by Joel Waldfogel (review)
  2. Jan Baetens
  3. pp. 516-517
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  1. Worldmaking as Techné: Participatory Art, Music, and Architecture ed. by Mark-David Hosale, Sana Murrani and Alberto de Campo (review)
  2. Brian Reffin Smith
  3. pp. 517-518
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  1. Diva Nation: Female Icons From Japanese Cultural Culture ed. by Laura Miller and Rebecca Copeland (review)
  2. Jan Baetens
  3. p. 519
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  1. Leonardo Reviews Online
  3. pp. 519-520
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The Network

  1. The Network: The Newsletter of the International Society for the Arts, Sciences and Technology and of l'Observatoire Leonardo des Arts et Technosciences
  2. Stacy Jerger
  3. pp. 521-522
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Endnote

  1. Stirring the Porridge with Albert E
  2. David Gepp
  3. p. 523
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Thanks to Our Reviewers

  1. Thanks to Our Reviewers
  3. p. 524
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