In this Issue

Table of Contents

Front Porch

Harry Watson
pp. 1-5
DOI: https://doi.org/10.1353/scu.2019.0000
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From Bozart to Booming: Considering the Past and Future South

Charles Reagan Wilson, Natalie K. Nelson
pp. 6-11
DOI: https://doi.org/10.1353/scu.2019.0001
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Signs of Return: Photography as History in the U.S. South

Grace Elizabeth Hale
pp. 12-41
DOI: https://doi.org/10.1353/scu.2019.0002
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A Stranger to Me

Kevin Kline, Bruce Schultz
pp. 42-57
DOI: https://doi.org/10.1353/scu.2019.0003
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Amber Waves of Broomsedge

William Thomas Okie, Becca Stadtlander
pp. 58-71
DOI: https://doi.org/10.1353/scu.2019.0004
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Picturing the Road's End: Art and Environment in the New Deal and New Millennial South

Teresa Parker Farris
pp. 72-87
DOI: https://doi.org/10.1353/scu.2019.0005
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Replaying a Useful South: Black Women, Midcentury Domesticity, and the Films of the Georgia Department of Public Health

Lauren Pilcher, John Stevens
pp. 88-105
DOI: https://doi.org/10.1353/scu.2019.0006
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Losing Carolina

Gene Nichol
pp. 106-123
DOI: https://doi.org/10.1353/scu.2019.0007
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Between Past and Future: The Momentary Present

David Wharton
pp. 124-137
DOI: https://doi.org/10.1353/scu.2019.0008
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Ghosts in My Blood: Searching for Phill Barkley

Regina N. Bradley, Ginnie Hsu
pp. 138-145
DOI: https://doi.org/10.1353/scu.2019.0009
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Drawn and Eastern Bluebird

Rajiv Mohabir
pp. 146-148
DOI: https://doi.org/10.1353/scu.2019.0010
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Contributors

pp. 149-150
DOI: https://doi.org/10.1353/scu.2019.0011
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