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Table of Contents

  1. Monogames und promiskuitives Lesen: Über die verborgenen Grundlagen der Autonomieästhetik um 1800
  2. Carolin Dorothée Lange
  3. pp. 1-18
  4. DOI: https://doi.org/10.1353/gsr.2019.0003
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  1. I Too Am Naked": Kleist, Habermas, and the Epigrammatic Exposure of Literary Honesty
  2. Daniel Nolan
  3. pp. 19-36
  4. DOI: https://doi.org/10.1353/gsr.2019.0004
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  1. Tiananmen Square, Leipzig, and the "Chinese Solution": Revisiting the Wende from an Asian-German Perspective
  2. Qinna Shen
  3. pp. 37-56
  4. DOI: https://doi.org/10.1353/gsr.2019.0005
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  1. Das Gedicht buchstabiert die Welt neu: Sampling und die Collagen Lydia Dahers
  2. Billy Badger
  3. pp. 57-77
  4. DOI: https://doi.org/10.1353/gsr.2019.0006
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  1. The Work of Moving Through Nature: A New Materialist Reading of Human/Non-Human Interactions in Thomas Arslan's Gold (2013) and Kelly Reichardt's Meek's Cutoff (2010)
  2. Mareike Herrmann
  3. pp. 79-102
  4. DOI: https://doi.org/10.1353/gsr.2019.0007
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  1. Can Karl Kraus "Live Away" from Austria? Jonathan Franzen's The Kraus Project
  2. Thomas O. Beebee
  3. pp. 103-121
  4. DOI: https://doi.org/10.1353/gsr.2019.0008
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  1. Nonsimultaneity and its Corrective: Thomas Brussig's Ambiguous Engagement with Reunification
  2. John Pizer
  3. pp. 123-139
  4. DOI: https://doi.org/10.1353/gsr.2019.0000
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  1. Cultures of Communication: Theologies of Media in Early Modern Europe and Beyond ed. by Helmut Puff, Ulrike Strasser, and Christopher Wild (review)
  2. Maximilian M. Scholz
  3. pp. 141-143
  4. DOI: https://doi.org/10.1353/gsr.2019.0009
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  1. Money in the German-Speaking Lands ed. by Mary Lindemann and Jared Poley (review)
  2. John McCole
  3. pp. 143-145
  4. DOI: https://doi.org/10.1353/gsr.2019.0010
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  1. Transculturality and the German Discourse in the Age of European Colonialism by Chunjie Zhang (review)
  2. Christine Winter
  3. pp. 145-147
  4. DOI: https://doi.org/10.1353/gsr.2019.0011
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  1. German Colonial Wars and the Context of Military Violence by Susanne Kuss (review)
  2. Adam A. Blackler
  3. pp. 147-149
  4. DOI: https://doi.org/10.1353/gsr.2019.0012
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  1. Germans on the Kenyan Coast: Land, Charity, and Romance by Nina Berman (review)
  2. Adam A. Blackler
  3. pp. 149-151
  4. DOI: https://doi.org/10.1353/gsr.2019.0013
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  1. Translating the World: Toward a New History of German Literature around 1800 by Birgit Tautz (review)
  2. Elizabeth Powers
  3. pp. 151-153
  4. DOI: https://doi.org/10.1353/gsr.2019.0014
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  1. Mahler and Strauss in Dialogue by Charles Youmens (review)
  2. Caroline A. Kita
  3. pp. 153-155
  4. DOI: https://doi.org/10.1353/gsr.2019.0015
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  1. The Image of the Soldier in German Culture, 1871–1933 by Paul Fox (review)
  2. Robert W. Rennie
  3. pp. 155-157
  4. DOI: https://doi.org/10.1353/gsr.2019.0016
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  1. Not Straight from Germany: Sexual Publics and Sexual Politics since Magnus Hirschfeld ed. by Michael Thomas Taylor, Annette F. Timm, and Rainer Herrn (review)
  2. Robert Tobin
  3. pp. 158-160
  4. DOI: https://doi.org/10.1353/gsr.2019.0017
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  1. Trash," Censorship, and National Identity in Early Twentieth-Century Germany by Kara L. Ritzheimer (review)
  2. Robert Beachy
  3. pp. 160-162
  4. DOI: https://doi.org/10.1353/gsr.2019.0018
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  1. Understanding Franz Kafka by Allen Thiher (review)
  2. Matthew Creighton
  3. pp. 162-164
  4. DOI: https://doi.org/10.1353/gsr.2019.0019
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  1. Challenging the Modern: Conservative Revolution in German Music 1918–1933 by Nicholas Attfield (review)
  2. Pamela Potter
  3. pp. 164-166
  4. DOI: https://doi.org/10.1353/gsr.2019.0020
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  1. Die Lust zu gehen. Weibliche Flanerie in Literatur und Film ed. by Georgiana Banita, Judith Ellenbürger, and Jörn Glas (review)
  2. Beth Ann Muellner
  3. pp. 166-168
  4. DOI: https://doi.org/10.1353/gsr.2019.0021
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  1. Strange Bird: The Albatross Press and the Third Reich by Michele K. Troy (review)
  2. Paul Moore
  3. pp. 168-170
  4. DOI: https://doi.org/10.1353/gsr.2019.0022
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  1. Nazi Exhibition Design and Modernism by Michael Tymkiw (review)
  2. Wallis Miller
  3. pp. 170-172
  4. DOI: https://doi.org/10.1353/gsr.2019.0023
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  1. Hitler and Film: The Führer's Hidden Passion by Bill Niven (review)
  2. Valerie Weinstein
  3. pp. 172-174
  4. DOI: https://doi.org/10.1353/gsr.2019.0024
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  1. Remapping Modern Germany after National Socialism, 1945–1961 by Matthew D. Mingus (review)
  2. Jason Johnson
  3. pp. 174-176
  4. DOI: https://doi.org/10.1353/gsr.2019.0025
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  1. Comedy and Trauma in Germany and Austria after 1945: The Inner Side of Mourning by Stephanie Bird (review)
  2. Corey L. Twitchell
  3. pp. 176-178
  4. DOI: https://doi.org/10.1353/gsr.2019.0026
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  1. Postwar Europe and the Eurovision Song Contest by Dean Vuletic (review)
  2. Philip V. Bohlman
  3. pp. 178-180
  4. DOI: https://doi.org/10.1353/gsr.2019.0027
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  1. The Communicative Event in the Works of Günter Grass: Stages of Speech, 1959–2015 by Nicole A. Thesz (review)
  2. Timothy B. Malchow
  3. pp. 180-182
  4. DOI: https://doi.org/10.1353/gsr.2019.0028
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  1. Fritz Bennewitz in India: Intercultural Theatre with Brecht and Shakespeare by Joerg Esleben, Rolf Rohmer and David G. John (review)
  2. Vera Stegmann
  3. pp. 182-184
  4. DOI: https://doi.org/10.1353/gsr.2019.0029
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  1. Risen from the Ruins: The Cultural Politics of Rebuilding East Berlin by Paul Stangl (review)
  2. Andrew Demshuk
  3. pp. 184-186
  4. DOI: https://doi.org/10.1353/gsr.2019.0030
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  1. Building Socialism: Architecture and Urbanism in East German Literature, 1955–1973 by Curtis Swope (review)
  2. Robert Blankenship
  3. pp. 187-188
  4. DOI: https://doi.org/10.1353/gsr.2019.0031
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  1. Writing in Red: The East German Writers Union and the Role of Literary Intellectuals by Thomas W. Goldstein (review)
  2. Curtis Swope
  3. pp. 189-190
  4. DOI: https://doi.org/10.1353/gsr.2019.0032
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  1. Writing to Change the World: Anna Seghers, Authorship, and International Solidarity in the Twentieth Century by Marike Janzen (review)
  2. Dean J. Guarnaschelli
  3. pp. 191-192
  4. DOI: https://doi.org/10.1353/gsr.2019.0002
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  1. Gender and Sexuality in East German Film: Intimacy and Alienation ed. by Kyle Frackman and Faye Stewart (review)
  2. Hunter Bivens
  3. pp. 193-195
  4. DOI: https://doi.org/10.1353/gsr.2019.0001
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  1. Memorializing the GDR: Monuments and Memory after 1989 by Anna Saunders (review)
  2. Sean Eedy
  3. pp. 195-197
  4. DOI: https://doi.org/10.1353/gsr.2019.0033
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  1. Christoph Schlingensief: Staging Chaos, Performing Politics and Theatrical Phantasmagoria by Anna Teresa Scheer (review)
  2. Andreas Stuhlmann
  3. pp. 197-198
  4. DOI: https://doi.org/10.1353/gsr.2019.0034
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  1. Mad Mädchen: Feminism and Generational Conflict in Recent German Literature and Film by Margaret McCarthy (review)
  2. Mareike Herrmann
  3. pp. 199-201
  4. DOI: https://doi.org/10.1353/gsr.2019.0035
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  1. Cosmopolitan Parables: Trauma and Responsibility in Contemporary Germany by David D. Kim (review)
  2. Helen Finch
  3. pp. 201-203
  4. DOI: https://doi.org/10.1353/gsr.2019.0036
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  1. Postcards from Auschwitz: Holocaust Tourism and the Meaning of Remembrance by Daniel P. Reynolds (review)
  2. Tim Cole
  3. pp. 203-205
  4. DOI: https://doi.org/10.1353/gsr.2019.0037
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  1. Becoming Madame Chancellor: Angela Merkel and the Berlin Republic by Joyce Marie Mushaben (review)
  2. Jennifer Yoder
  3. pp. 205-206
  4. DOI: https://doi.org/10.1353/gsr.2019.0038
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  1. Back to the Post-Industrial Future: An Ethnography of Germany's Fastest-Shrinking City by Felix Ringel (review)
  2. Marcel Thomas
  3. pp. 206-208
  4. DOI: https://doi.org/10.1353/gsr.2019.0039
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  1. Queering German Culture ed. by Leanne Dawson (review)
  2. Domenic DeSocio
  3. pp. 208-210
  4. DOI: https://doi.org/10.1353/gsr.2019.0040
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  1. Contributors
  3. p. 211
  4. DOI: https://doi.org/10.1353/gsr.2019.0041
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