In this Issue

Table of Contents

« Caro ed illustre Maestro » : un lot de lettres adressées à Jules Massenet, conservé à la Bibliothèque historique de la Ville de Paris

Jean-Christophe Branger
pp. 125-145
DOI: https://doi.org/10.1353/fam.2018.0017
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Pascal Boyer: A Pioneer in Journalistic Music Criticism

Beverly Jerold
pp. 146-156
DOI: https://doi.org/10.1353/fam.2018.0018
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A Recording Artist: Enrico Caruso and His Scrapbooks

Patricia Puckett Sasser
pp. 157-169
DOI: https://doi.org/10.1353/fam.2018.0019
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Briefs / Feuilletons

pp. 170-173
DOI: https://doi.org/10.1353/fam.2018.0020
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A Basic Music Library: Essential Scores and Sound Recordings, 4th ed., Volume 1: Popular Music ed. by Edward Komara (review)

Sandi-Jo Malmon, Colin Coleman, Maristella Feustle
pp. 174-176
DOI: https://doi.org/10.1353/fam.2018.0021
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Vincenzo Bellini Carteggi by Graziella Seminara (review)

Simon Maguire
pp. 176-179
DOI: https://doi.org/10.1353/fam.2018.0022
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Giuseppe Sigismondo, Apotheosis of Music in the Kingdom of Naples ed. by Claudio Bacciagaluppi, Giulia Giovani, and Raffaele Mellace (review)

Marina Marino
pp. 179-181
DOI: https://doi.org/10.1353/fam.2018.0023
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English Pastoral Music: From Arcadia to Utopia, 1900–1955 by Eric Saylor (review)

David Matthews
pp. 181-183
DOI: https://doi.org/10.1353/fam.2018.0024
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Mistress and Muse: Ursula – The Second Mrs. Vaughan Williams: A Biography by Janet Tennant (review)

Graham Muncy
pp. 183-185
DOI: https://doi.org/10.1353/fam.2018.0025
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Giovanna Sestini: An Italian Opera Singer in Eighteenth-Century London by Audrey Carpenter (review)

Andrew Pink
pp. 185-187
DOI: https://doi.org/10.1353/fam.2018.0026
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Conversations with the World’s Leading Orchestra and Opera Librarians by Patrick Lo (review)

Mary Black Junttonen
pp. 187-188
DOI: https://doi.org/10.1353/fam.2018.0027
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The Accompaniment in “Unaccompanied” Bach: Interpreting the Sonatas and Partitas for Violin by Stanley Ritchie (review)

Peter Sheppard Skærved
pp. 188-190
DOI: https://doi.org/10.1353/fam.2018.0028
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