1. Disability and Dissent in Ann Petry’s The Street
  2. Jay Sibara
  3. pp. 1-26
  4. DOI: 10.1353/lm.2018.0000
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  1. Mary Todd Lincoln, Elizabeth Keckley, and America’s Psychiatric Republic
  2. Rachel A. Blumenthal
  3. pp. 27-55
  4. DOI: 10.1353/lm.2018.0001
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  1. Utopian Literature and Bioethics: Exploring Reproductive Difference and Gender Equality
  2. Evie Kendal
  3. pp. 56-84
  4. DOI: 10.1353/lm.2018.0002
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  1. The Carnivalesque in Illness: Hollis Seamon’s Somebody Up There Hates You
  2. Pascale Antolin
  3. pp. 85-100
  4. DOI: 10.1353/lm.2018.0003
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  1. Of Drugs and Droogs: Cultural Dynamics, Psychopharmacology, and Neuroscience in Anthony Burgess’s A Clockwork Orange
  2. Lorenzo Servitje
  3. pp. 101-123
  4. DOI: 10.1353/lm.2018.0004
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  1. Traces of Stigma in John Banville’s The Sea
  2. Marta Cerezo Moreno
  3. pp. 124-145
  4. DOI: 10.1353/lm.2018.0005
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  1. “There Is No Miracle More Cruel Than This”: Readian Relaxation and Maternal Agency in Plath’s Three Women
  2. Sarah A. Kuczynski
  3. pp. 146-163
  4. DOI: 10.1353/lm.2018.0006
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  1. An Economy of Illness: The Poetics of Women in Pain
  2. Sarah Nance
  3. pp. 164-189
  4. DOI: 10.1353/lm.2018.0007
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  1. Showing that Medical Ethics Cases Can Miss the Point: Rewriting Short Stories as Cases
  2. Woods Nash
  3. pp. 190-207
  4. DOI: 10.1353/lm.2018.0008
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  1. Printing Parasites: Hookworm and Public Health Narratives in Southern Fiction
  2. S. A. Larson
  3. pp. 208-229
  4. DOI: 10.1353/lm.2018.0009
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  1. Not Playing Around: Games in Graphic Illness Narratives
  2. Nancy Pedri, Helene Staveley
  3. pp. 230-256
  4. DOI: 10.1353/lm.2018.0010
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  1. Contributors
  2. pp. 257-259
  3. DOI: 10.1353/lm.2018.0011
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