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Table of Contents

  1. Contributors
  2. pp. iii-iv
  3. DOI: https://doi.org/10.1353/esc.1997.0020
  4. restricted access
  1. The Characteristic Moment as a Motif in The Finnsburg Fragment and Deor
  2. Robin Waugh
  3. pp. 249-261
  4. DOI: https://doi.org/10.1353/esc.1997.0021
  5. restricted access
  1. William Wordsworth’s Significant Others: Ambivalence and Identification in the 1802–1803 Sonnets
  2. Paul Keen
  3. pp. 263-283
  4. DOI: https://doi.org/10.1353/esc.1997.0022
  5. restricted access
  1. “No Longer Revolting”: Cross-Dressing in Cooper’s Jack Tier
  2. Robert K. Martin
  3. pp. 285-295
  4. DOI: https://doi.org/10.1353/esc.1997.0023
  5. restricted access
  1. Niels’s Saga: Colonial Narrative and Nordic Naturalism in Settlers of the Marsh
  2. Mac Fenwick
  3. pp. 297-314
  4. DOI: https://doi.org/10.1353/esc.1997.0024
  5. restricted access
  1. The Buried Stream: Stochastic Narration and “A River Runs Through It”
  2. Gordon E. Slethaug
  3. pp. 315-329
  4. DOI: https://doi.org/10.1353/esc.1997.0025
  5. restricted access
  1. Robert Louis Stevenson: Interviews and Recollections ed. by R.C. Terry (review)
  2. Valdine Clemens
  3. pp. 357-359
  4. DOI: https://doi.org/10.1353/esc.1997.0027
  5. restricted access
  1. Shakespearean Narrative by Rawdon Wilson (review)
  2. Irena R. Makaryk
  3. pp. 360-362
  4. DOI: https://doi.org/10.1353/esc.1997.0028
  5. restricted access
  1. The Reception of Myth in English Romanticism by Anthony John Harding (review)
  2. Michael D. Moore
  3. pp. 362-365
  4. DOI: https://doi.org/10.1353/esc.1997.0029
  5. restricted access
  1. Collaboration in the Feminine: Writings on Women and Culture from Tessera ed. by Barbara Godard (review)
  2. Daphne Read
  3. pp. 369-372
  4. DOI: https://doi.org/10.1353/esc.1997.0031
  5. restricted access