1. About This Issue
  2. p. 1
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  1. Letters
  2. Martín Fumarola, Horacio Vaggione
  3. pp. 5-8
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  1. Announcements
  2. p. 9
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  1. News
  2. pp. 10-15
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  1. Iannis Xenakis and the "Real" of Musical Composition
  2. Gerard Pape
  3. pp. 16-21
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  1. Systems of Embers, Dust, and Clouds: Observations after Xenakis and Brün
  2. Agostino Di Scipio
  3. pp. 22-32
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  1. The Electroacoustic Music of Iannis Xenakis
  2. James Harley
  3. pp. 33-57
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  1. Iannis Xenakis's Achorripsis: The Matrix Game
  2. Linda M. Arsenault
  3. pp. 58-72
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  1. An Acoustic Analysis of Col Legno Articulation in Iannis Xenakis's Nomos Alpha
  2. Evan Jones
  3. pp. 73-86
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  1. Sonic Arts Circuit VIII: International Electronic Music Festival (review)
  2. David Cleary
  3. p. 87
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  1. Ought-One Festival (review)
  2. Jennifer Hymer
  3. pp. 87-88
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  1. Makis Solomos, editor: Presences of/Présences de Iannis Xenakis (review)
  2. Martin Laliberté
  3. pp. 88-92
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  1. Rocco Di Pietro: Dialogues with Boulez (review)
  2. Alcides Lanza
  3. pp. 92-93
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  1. Simon Emmerson, Editor: Music, Electronic Media, and Culture (review)
  2. Anna Rubin
  3. pp. 94-96
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  1. Francesco Giomi and Marco Ligabue: L'istante zero, conversazioni e riflessioni con Pietro Grossi (review)
  2. Giuseppe Rapisarda
  3. pp. 96-97
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  1. John Rahn: Music Inside Out: Going Too Far in Musical Essays (review)
  2. Chris Kennett
  3. pp. 97-100
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  1. Scott D. Snyder: Active Noise Control Primer (review)
  2. Timothy Place
  3. pp. 100-101
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  1. DEGEM: Klangkunst in Deutschland (Sonic Arts in Germany) (review)
  2. Oliver Schneller
  3. pp. 101-104
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  1. Heidi Grundmann, Editor: Sound Drifting. I Silenzi Parlando Tra Loro (review)
  2. Ian Whalley
  3. pp. 104-106
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  1. Ride (review)
  2. Jon Appleton
  3. pp. 107-108
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  1. Marc Tremblay: Bruit-Graffitti (review)
  2. Joseph Reinsel
  3. p. 108
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  1. Blue Gene Tyranny: go, Blue (review)
  2. James Bohn
  3. pp. 108-109
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  1. MusicMatch Jukebox MP3 Software for Macintosh (review)
  2. Joseph Reinsel
  3. pp. 109-110
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  1. Products of Interest
  2. pp. 111-122
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  1. Editor's Notes
  2. James Harley
  3. p. 4
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