1. Gilded Age Cartoons: Artistic Antecedents and Descendants
  2. Julia diLiberti
  3. pp. 125-142
  4. DOI: 10.1353/ink.2017.0010
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  1. After you, my dear fake Frenchmen: Frederick Burr Opper's Alphonse and Gaston—and Leon!
  2. Mark McKinney
  3. pp. 143-164
  4. DOI: 10.1353/ink.2017.0011
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  1. "The Man Called Lucas": Luke Cage, Mass Incarceration, and the Stigma of Black Criminality
  2. Tracy L. Bealer
  3. pp. 165-185
  4. DOI: 10.1353/ink.2017.0012
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  1. "No time to rest, vent or mourn": Medical Intern Narratives and Graphic Medicine
  2. Sathyaraj Venkatesan, Anu Mary Peter
  3. pp. 186-204
  4. DOI: 10.1353/ink.2017.0013
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  1. Teaching Hypercomics: Comics as Information Organization in Digital Pedagogy
  2. Damian Duffy
  3. pp. 205-225
  4. DOI: 10.1353/ink.2017.0014
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  1. On Comicity
  2. Colin Beineke
  3. pp. 226-253
  4. DOI: 10.1353/ink.2017.0015
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  1. The Greatest Comic Book of All Time: Symbolic Capital and the Field of American Comic Books by Bart Beaty and Benjamin Woo (review)
  2. Ben Saunders
  3. pp. 254-257
  4. DOI: 10.1353/ink.2017.0016
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  1. Arresting Development: Comics at the Boundaries of Literature by Christopher Pizzino (review)
  2. Louie Dean Valencia-García
  3. pp. 257-261
  4. DOI: 10.1353/ink.2017.0017
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  1. Disaster Drawn: Visual Witness, Comics, and Documentary Form by Hillary L. Chute (review)
  2. Robyn Warhol
  3. pp. 261-263
  4. DOI: 10.1353/ink.2017.0018
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  1. Contributors
  3. pp. 264-265
  4. DOI: 10.1353/ink.2017.0019
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