In this Issue

Table of Contents

Gilded Age Cartoons: Artistic Antecedents and Descendants

Julia diLiberti
pp. 125-142
DOI: https://doi.org/10.1353/ink.2017.0010
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After you, my dear fake Frenchmen: Frederick Burr Opper's Alphonse and Gaston—and Leon!

Mark McKinney
pp. 143-164
DOI: https://doi.org/10.1353/ink.2017.0011
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"The Man Called Lucas": Luke Cage, Mass Incarceration, and the Stigma of Black Criminality

Tracy L. Bealer
pp. 165-185
DOI: https://doi.org/10.1353/ink.2017.0012
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"No time to rest, vent or mourn": Medical Intern Narratives and Graphic Medicine

Sathyaraj Venkatesan, Anu Mary Peter
pp. 186-204
DOI: https://doi.org/10.1353/ink.2017.0013
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Teaching Hypercomics: Comics as Information Organization in Digital Pedagogy

Damian Duffy
pp. 205-225
DOI: https://doi.org/10.1353/ink.2017.0014
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On Comicity

Colin Beineke
pp. 226-253
DOI: https://doi.org/10.1353/ink.2017.0015
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The Greatest Comic Book of All Time: Symbolic Capital and the Field of American Comic Books by Bart Beaty and Benjamin Woo (review)

Ben Saunders
pp. 254-257
DOI: https://doi.org/10.1353/ink.2017.0016
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Arresting Development: Comics at the Boundaries of Literature by Christopher Pizzino (review)

Louie Dean Valencia-García
pp. 257-261
DOI: https://doi.org/10.1353/ink.2017.0017
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Disaster Drawn: Visual Witness, Comics, and Documentary Form by Hillary L. Chute (review)

Robyn Warhol
pp. 261-263
DOI: https://doi.org/10.1353/ink.2017.0018
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Contributors

pp. 264-265
DOI: https://doi.org/10.1353/ink.2017.0019
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