From: Inks: The Journal of the Comics Studies Society

Previous Issue

  Volume 1, Issue 2, Summer 2017

Table of Contents

Gilded Age Cartoons: Artistic Antecedents and Descendants

pp. 125-142
Julia diLiberti
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After you, my dear fake Frenchmen: Frederick Burr Opper's Alphonse and Gaston—and Leon!

pp. 143-164
Mark McKinney
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"The Man Called Lucas": Luke Cage, Mass Incarceration, and the Stigma of Black Criminality

pp. 165-185
Tracy L. Bealer
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"No time to rest, vent or mourn": Medical Intern Narratives and Graphic Medicine

pp. 186-204
Sathyaraj Venkatesan, Anu Mary Peter
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  Teaching Hypercomics: Comics as Information Organization in Digital Pedagogy

pp. 205-225
Damian Duffy
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On Comicity

pp. 226-253
Colin Beineke
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Reviews

The Greatest Comic Book of All Time: Symbolic Capital and the Field of American Comic Books by Bart Beaty and Benjamin Woo (review)

pp. 254-257
Ben Saunders
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Arresting Development: Comics at the Boundaries of Literature by Christopher Pizzino (review)

pp. 257-261
Louie Dean Valencia-García
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Disaster Drawn: Visual Witness, Comics, and Documentary Form by Hillary L. Chute (review)

pp. 261-263
Robyn Warhol
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Contributors

pp. 264-265
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