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Table of Contents

  1. Don’t Call It a Comeback
  2. Will Brooker
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/cj.2017.0037
  5. restricted access
  1. From Posthuman to Postcinema: Crises of Subjecthood and Representation in Her
  2. Donna Kornhaber
  3. pp. 3-25
  4. DOI: https://doi.org/10.1353/cj.2017.0038
  5. restricted access
  1. Bringing the War Home to the United States and East Germany: In the Year of the Pig and Pilots in Pajamas
  2. Sara Blaylock
  3. pp. 26-50
  4. DOI: https://doi.org/10.1353/cj.2017.0039
  5. restricted access
  1. On Variety: The Avant-Garde between Pornography and Narrative
  2. Kevin L. Ferguson
  3. pp. 51-75
  4. DOI: https://doi.org/10.1353/cj.2017.0040
  5. restricted access
  1. Beyond Sadness: The Multi-Emotional Trajectory of Melodrama
  2. Julian Hanich, Winfried Menninghaus, Steve Wilder
  3. pp. 76-101
  4. DOI: https://doi.org/10.1353/cj.2017.0041
  5. restricted access
  1. The Cinematographic Unconscious of Slum Voyeurism
  2. Elmo Gonzaga
  3. pp. 102-125
  4. DOI: https://doi.org/10.1353/cj.2017.0042
  5. restricted access
  1. Beyond the Essayistic: Defining the Varied Modal Origins of Videographic Criticism
  2. Drew Morton
  3. pp. 130-136
  4. DOI: https://doi.org/10.1353/cj.2017.0050
  5. restricted access
  1. Opening Up [in] Transition’s Open Peer-Review Process
  2. Jason Mittell
  3. pp. 137-141
  4. DOI: https://doi.org/10.1353/cj.2017.0049
  5. restricted access
  1. Open Peer-Review as Multimodal Scholarship
  2. Shane Denson
  3. pp. 141-143
  4. DOI: https://doi.org/10.1353/cj.2017.0046
  5. restricted access
  1. Critics and Makers
  2. Maria A. Velez-Serna
  3. pp. 143-144
  4. DOI: https://doi.org/10.1353/cj.2017.0052
  5. restricted access
  1. Imperfect Creative Criticism
  2. Patricia Pisters
  3. pp. 145-146
  4. DOI: https://doi.org/10.1353/cj.2017.0051
  5. restricted access
  1. To Critique Affect by Means of Affect
  2. Jaap Kooijman
  3. pp. 146-148
  4. DOI: https://doi.org/10.1353/cj.2017.0048
  5. restricted access
  1. Star Studies in Transition: Notes on Experimental Videographic Approaches to Film Performance
  2. Catherine Grant
  3. pp. 148-158
  4. DOI: https://doi.org/10.1353/cj.2017.0047
  5. restricted access
  1. Roundtable: Remix and Videographic Criticism
  2. Corey Creekmur, Melanie Kohnen, Jonathan McIntosh, Lori Morimoto, Katherine Morrissey, Suzanne Scott, Louisa Stein
  3. pp. 159-184
  4. DOI: https://doi.org/10.1353/cj.2017.0044
  5. restricted access
  1. Introduction: Transforming Scholarship through [in]Transition
  2. Christine Becker
  3. pp. 126-129
  4. DOI: https://doi.org/10.1353/cj.2017.0043
  5. restricted access
  1. Contributors
  3. pp. 157-158
  4. DOI: https://doi.org/10.1353/cj.2017.0045
  5. restricted access