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Table of Contents

  1. The Ending of A Doll House and Augier’s Mai̇̂tre Guérin
  2. Thomas F. Van Laan
  3. pp. 297-317
  4. DOI: https://doi.org/10.1353/cdr.1983.0029
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  1. A Little-Known Fragment of a Dutch Abraham-and-Sarah Play
  2. Mary-Jo Arn
  3. pp. 318-326
  4. DOI: https://doi.org/10.1353/cdr.1983.0030
  5. restricted access
  1. Canvas Walls and Cardboard Fortresses: Representations of Place in the National Historical Dramas of Early Nineteenth-Century France
  2. Barbara T. Cooper
  3. pp. 327-347
  4. DOI: https://doi.org/10.1353/cdr.1983.0031
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  1. Animal Symbolism in Shakespeare’s Hamlet: The Imagery of Sex Nausea
  2. Karl P. Wentersdorf
  3. pp. 348-382
  4. DOI: https://doi.org/10.1353/cdr.1983.0032
  5. restricted access
  1. The Poetics of Jacobean Drama by Coburn Freer (review)
  2. Michael Shapiro
  3. pp. 383-385
  4. DOI: https://doi.org/10.1353/cdr.1983.0033
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  1. Max Reinhardt by J. L. Styan (review)
  2. Cary M. Mazer
  3. pp. 386-387
  4. DOI: https://doi.org/10.1353/cdr.1983.0034
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  1. Two Plays, ‘Sodom and Gomorrah’ and ‘Comedy: A Tragedy in One Act’ by Nikos Kazantzakis (review)
  2. M. Byron Raizis
  3. pp. 387-390
  4. DOI: https://doi.org/10.1353/cdr.1983.0035
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  1. Dramatic Design in the Chester Cycle by Peter W. Travis (review)
  2. Theresa Coletti
  3. pp. 390-394
  4. DOI: https://doi.org/10.1353/cdr.1983.0036
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  1. Eugène Labiche and Georges Feydeau by Leonard C. Pronko (review)
  2. Oscar G. Brockett
  3. pp. 394-396
  4. DOI: https://doi.org/10.1353/cdr.1983.0037
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  1. Drama and Symbolism ed. by James Redmond (review)
  2. James Coakley
  3. pp. 396-398
  4. DOI: https://doi.org/10.1353/cdr.1983.0038
  5. restricted access
  1. Index to Volume 17 (1983)
  3. pp. 399-400
  4. DOI: https://doi.org/10.1353/cdr.1983.0039
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