In this Issue

Table of Contents

The Ending of A Doll House and Augier’s Mai̇̂tre Guérin

Thomas F. Van Laan
pp. 297-317
DOI: https://doi.org/10.1353/cdr.1983.0029
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A Little-Known Fragment of a Dutch Abraham-and-Sarah Play

Mary-Jo Arn
pp. 318-326
DOI: https://doi.org/10.1353/cdr.1983.0030
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Canvas Walls and Cardboard Fortresses: Representations of Place in the National Historical Dramas of Early Nineteenth-Century France

Barbara T. Cooper
pp. 327-347
DOI: https://doi.org/10.1353/cdr.1983.0031
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Animal Symbolism in Shakespeare’s Hamlet: The Imagery of Sex Nausea

Karl P. Wentersdorf
pp. 348-382
DOI: https://doi.org/10.1353/cdr.1983.0032
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The Poetics of Jacobean Drama by Coburn Freer (review)

Michael Shapiro
pp. 383-385
DOI: https://doi.org/10.1353/cdr.1983.0033
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Max Reinhardt by J. L. Styan (review)

Cary M. Mazer
pp. 386-387
DOI: https://doi.org/10.1353/cdr.1983.0034
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Two Plays, ‘Sodom and Gomorrah’ and ‘Comedy: A Tragedy in One Act’ by Nikos Kazantzakis (review)

M. Byron Raizis
pp. 387-390
DOI: https://doi.org/10.1353/cdr.1983.0035
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Dramatic Design in the Chester Cycle by Peter W. Travis (review)

Theresa Coletti
pp. 390-394
DOI: https://doi.org/10.1353/cdr.1983.0036
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Eugène Labiche and Georges Feydeau by Leonard C. Pronko (review)

Oscar G. Brockett
pp. 394-396
DOI: https://doi.org/10.1353/cdr.1983.0037
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Drama and Symbolism ed. by James Redmond (review)

James Coakley
pp. 396-398
DOI: https://doi.org/10.1353/cdr.1983.0038
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Index to Volume 17 (1983)

pp. 399-400
DOI: https://doi.org/10.1353/cdr.1983.0039
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