1. ‘I begin writing, and then have second thoughts’: Shostakovich and the Sketches for the Eighth Symphony
  2. Laura E. Kennedy
  3. pp. 1-20
  4. DOI: 10.1353/fam.2017.0000
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  1. Briefs / Feuilletons
  2. Jürgen Diet, Massimo Salcito, Mary Black Junttonen,
  3. pp. 68-71
  4. DOI: 10.1353/fam.2017.0002
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  1. My Beloved Man. The Letters of Benjamin Britten and Peter Pears ed. by Vicki P. Stroeher, Nicholas Clark, Jude Brimmer (review)
  2. Cameron Pyke
  3. pp. 72-73
  4. DOI: 10.1353/fam.2017.0003
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  1. Camille Saint-Saëns: Écrits sur la Musique et les Musiciens 1870–1921 ed. by Marie-Gabrielle Soret (review)
  2. Michael Strasser
  3. pp. 73-75
  4. DOI: 10.1353/fam.2017.0004
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  1. Erik Satie: A Parisian Composer and His World by Caroline Potter (review)
  2. Keith E. Clifton
  3. pp. 75-77
  4. DOI: 10.1353/fam.2017.0005
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  1. The Complete Annotated Gilbert & Sullivan ed. by Ian Bradley (review)
  2. Thomas S. Hischak
  3. pp. 77-79
  4. DOI: 10.1353/fam.2017.0006
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  1. Resounding Images: Medieval Intersections of Art, Music, and Sound ed. by Susan Boynton, Diane J. Reilly (review)
  2. Leah Morrison
  3. pp. 79-82
  4. DOI: 10.1353/fam.2017.0007
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  1. A New National Branch Addition: Greece
  2. The Board of the Greek IAML Branch
  3. pp. 83-85
  4. DOI: 10.1353/fam.2017.0008
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  1. German Music Libraries in the Age of Digital Transformation—Challenges and Perspectives
  2. Verena Funtenberger
  3. pp. 86-91
  4. DOI: 10.1353/fam.2017.0009
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  1. IAML Congress 2016 General Assembly Minutes: Tuesday 5 July and Friday 8 July Rome, Italy Auditorium Parco della Musica
  2. Pia Shekhter
  3. pp. 92-108
  4. DOI: 10.1353/fam.2017.0010
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  1. H. Robert Cohen: A Portrait in Five Titles
  2. Benjamin Knysak
  3. pp. 109-110
  4. DOI: 10.1353/fam.2017.0011
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  1. Governing Documents
  2. pp. 111-128
  3. DOI: 10.1353/fam.2017.0012
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