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Table of Contents

  1. Moving Targets: Towards a Post-Humanist Historical Ontology of Man?
  2. Jens De Vleminck
  3. pp. 5-17
  4. DOI: https://doi.org/10.1353/trh.2016.0018
  5. restricted access
  1. The Medium of Writing and Academic Texts: On Hans Ulrich Gumbrecht and Marshall McLuhan
  2. Gábor Mezei
  3. pp. 19-32
  4. DOI: https://doi.org/10.1353/trh.2016.0019
  5. restricted access
  1. Singularities and Superintelligence: Transcending the Human in Contemporary Cinema
  2. Yvonne Foerster
  3. pp. 33-50
  4. DOI: https://doi.org/10.1353/trh.2016.0020
  5. restricted access
  1. Between Friends and Enemies: Ridley Scott’s Alien
  2. Eli Park Sorensen
  3. pp. 51-78
  4. DOI: https://doi.org/10.1353/trh.2016.0021
  5. restricted access
  1. Noodle Western: Asian Gunslingers, Swordplayers, Filmmakers Gone West
  2. Sheng-mei Ma
  3. pp. 79-97
  4. DOI: https://doi.org/10.1353/trh.2016.0022
  5. restricted access
  1. Jane Eyre in Our Times: Fukunaga’s Jane Eyre in Dialogue with Two Film Adaptations
  2. Soyoung Lee
  3. pp. 99-125
  4. DOI: https://doi.org/10.1353/trh.2016.0023
  5. restricted access
  1. Storytelling in the Rashomon Gate: Kurosawa, Konjaku monogatari-shu, and Buddhism
  2. Hyangsoon Yi
  3. pp. 167-190
  4. DOI: https://doi.org/10.1353/trh.2016.0026
  5. restricted access
  1. Another “Paris in the Orient”: Overlapping Exoticism in Japanese Modernism around 19301
  2. Tsuyoshi Namigata
  3. pp. 191-210
  4. DOI: https://doi.org/10.1353/trh.2016.0027
  5. restricted access
  1. Fukushima: The Geo-trauma of a Futural Wave
  2. David R. Cole, Rick Dolphijn, Joff P. N. Bradley
  3. pp. 211-233
  4. DOI: https://doi.org/10.1353/trh.2016.0028
  5. restricted access