1. Library Catalogue Records as a Research Resource: Introducing ‘A Big Data History of Music’
  2. Sandra Tuppen, Stephen Rose, Loukia Drosopoulou
  3. pp. 67-88
  4. DOI: 10.1353/fam.2016.0011
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  1. Bernardino de Ribera’s Compositional Summary: Toledo Polyphonic Codex 6
  2. Carlos Gutiérrez Cajaraville
  3. pp. 89-99
  4. DOI: 10.1353/fam.2016.0013
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  1. Gustav Mahler’s Correspondence: Assessing the Composer’s Published Letters
  2. James L. Zychowicz
  3. pp. 120-139
  4. DOI: 10.1353/fam.2016.0017
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  1. Briefs / Feuilletons
  2. Friederike Grigat, Musse Magnussen Svare
  3. pp. 140-147
  4. DOI: 10.1353/fam.2016.0008
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  1. Crosscurrents: American and European Music Interaction, 1900–2000 ed. by Felix Meyer et al. (review)
  2. Joy Pile
  3. pp. 148-149
  4. DOI: 10.1353/fam.2016.0009
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  1. Opera in the British Isles, 1875–1918 by Paul Rodmell (review)
  2. Jennifer Oates
  3. pp. 149-151
  4. DOI: 10.1353/fam.2016.0010
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  1. Sergey Prokofiev Diaries, 1924–1933: Behind the Mask, and: Sergey Prokofiev Diaries, 1924–1933: Prodigal Son (review)
  2. Terry Dean
  3. pp. 151-156
  4. DOI: 10.1353/fam.2016.0012
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  1. Palestinian Music and Song: Expression and Resistance Since 1900 ed. by Moslih Kanaaneh et al. (review)
  2. Virginia Danielson
  3. pp. 156-158
  4. DOI: 10.1353/fam.2016.0014
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  1. The Lure and Legacy of Music at Versailles: Louis XIV and the Aix School by John Hajdu Heyer (review)
  2. Matthias Range
  3. pp. 158-161
  4. DOI: 10.1353/fam.2016.0016
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