1. The Author Is Dead, But: A Lacanian Response to Barthes’s Return-to-the-Author Paradox
  2. Luke Johnson
  3. pp. 1-19
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  1. Camp Sadomasochism in Tennessee Williams’s Plays
  2. Tison Pugh
  3. pp. 20-44
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  1. On Poems and Proverbs
  2. William Kerrigan, Marina Favila
  3. pp. 45-83
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  1. Conversations with Shylock: The Merchant of Venice, Authorship Trouble, and Interpretive Instability in the Period of Early Print
  2. Stephen Schillinger
  3. pp. 84-107
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  1. The Conscientious Killer: Wilfred Owen’s “Strange Meeting”
  2. Marc D. Cyr
  3. pp. 108-128
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