1. Editor’s Note
  2. pp. 7-8
  3. DOI: 10.1353/cer.2015.0021
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  1. Biblical and Qur’anic Typology in the “Novela del cautivo”
  2. Kevin S. Larsen
  3. pp. 9-49
  4. DOI: 10.1353/cer.2015.0023
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  1. Cervantes’s Ingenioso Hidalgo: Ingenio and the Americas
  2. Rachel Schmidt
  3. pp. 51-76
  4. DOI: 10.1353/cer.2015.0025
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  1. The Epistemic and Emotive Foundations of Sancho
  2. Daniel Lorca
  3. pp. 77-102
  4. DOI: 10.1353/cer.2015.0027
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  1. Contra molinos y maestros: La Difesa di Dulcinea de Gherardo Marone y el quijotismo italiano
  2. Javier Jiménez Belmonte
  3. pp. 103-128
  4. DOI: 10.1353/cer.2015.0016
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  1. “Los libros son como unos mudos maestros que hablan por señas”: Alexio Venegas, Mute Preceptor of Cervantes?
  2. John Cull
  3. pp. 129-160
  4. DOI: 10.1353/cer.2015.0018
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  1. Cervantes, Don Quijote y Sancho Panza en el teatro del exilio
  2. Verónica Azcue Castillón
  3. pp. 161-192
  4. DOI: 10.1353/cer.2015.0020
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  1. Una “mesa de trucos” en escena: Metamorfosis dramática de “La española inglesa”
  2. Esther Fernández, M. Reina Ruiz
  3. pp. 193-213
  4. DOI: 10.1353/cer.2015.0022
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  1. Ungodly Miracle or Holy Rape: Irony and the Rule of Faith in Cervantes’s “La fuerza de la sangre”
  2. Kátia Sherman
  3. pp. 215-249
  4. DOI: 10.1353/cer.2015.0024
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  1. The Moor and the Novel: Narrating Absence in Early Modern Spain by Mary B. Quinn (review)
  2. Enrique García Santo-Tomás
  3. pp. 251-254
  4. DOI: 10.1353/cer.2015.0026
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  1. Cervantes y Liñán de Riaza: El autor del otro QUIJOTE atribuido a Avellaneda by Antonio Sánchez Portero (review)
  2. María Heredia Mantis
  3. pp. 254-257
  4. DOI: 10.1353/cer.2015.0015
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  1. De l’imposture à la création: Le GUZMAN et le QUICHOTTE apocryphes by David Alvarez (review)
  2. Louis Imperiale
  3. pp. 258-260
  4. DOI: 10.1353/cer.2015.0017
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  1. Contributors
  2. pp. 261-263
  3. DOI: 10.1353/cer.2015.0019
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