1. The Endangered Musical Genre: The Case of Akwunechenyi Music of Ukpo
  2. Ijeoma I. Forchu
  3. pp. 1-22
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  1. Black Skin, White Music: Afroporteño Musicians and Composers in Europe in the Second Half of the Nineteenth Century
  2. Norberto Pablo Cirio
  3. pp. 23-40
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  1. Uplift, Gender, and Scott Joplin’s Treemonisha
  2. Rachel Lumsden
  3. pp. 41-69
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  1. Mingus in the Workshop: Leading the Improvisation From New Orleans to Pentecostal Trance
  2. Jennifer Griffith
  3. pp. 71-95
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  1. Indivisible: The Nation and Its Anthem in Black Musical Performance
  2. Shana L. Redmond
  3. pp. 97-118
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  1. Why Saints Love Samba: A Historical Perspective on Black Agency and the Rearticulation of Catholicism in Bahia, Brazil
  2. Michael Iyanaga
  3. pp. 119-147
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