1. Calculated Risks, Condorcet, Bernoulli, d’Alembert and Inoculation
  2. Catriona Seth
  3. pp. 740-755
  4. DOI: 10.1353/mln.2014.0094
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  1. Conjecturing a New World in Condorcet’s Esquisse d’un tableau historique des progrès de l’esprit humain
  2. Hanna Roman
  3. pp. 780-795
  4. DOI: 10.1353/mln.2014.0077
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  1. Étrangèreté et écriture du nonsavoir : Hélène Cixous, Nina Bouraoui et Leïla Sebbar
  2. Oana Panaïté
  3. pp. 796-811
  4. DOI: 10.1353/mln.2014.0081
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  1. The Other Language, the Language of the Other in the Work of Assia Djebar and Hélène Cixous
  2. Laurie Corbin
  3. pp. 812-828
  4. DOI: 10.1353/mln.2014.0085
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  1. Hyperbole in Proust
  2. Audrey Wasser
  3. pp. 829-854
  4. DOI: 10.1353/mln.2014.0088
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  1. The Observer in the Picture: Surface and Depth in a Passage from Proust
  2. Noam Scheindlin
  3. pp. 855-880
  4. DOI: 10.1353/mln.2014.0092
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  1. The Intersexed Intertext: Du Bellay’s Appropriation of Bradamante’s Lyric Laments
  2. Jessica DeVos
  3. pp. 881-901
  4. DOI: 10.1353/mln.2014.0071
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  1. On Pascal’s Revealed Word (and What it Says about Being Human)
  2. Andrew Pigott
  3. pp. 902-935
  4. DOI: 10.1353/mln.2014.0075
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  1. Phlebotomo-graphy, or Phlebotomy and Writing in Flaubert
  2. Irving Goh
  3. pp. 936-954
  4. DOI: 10.1353/mln.2014.0079
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  1. A Semblance of Life: Raymond Roussel’s Speculative Prose
  2. William S. Allen
  3. pp. 955-992
  4. DOI: 10.1353/mln.2014.0083
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  1. Le Papillon de nuit et la rose : Bataille et Blanchot autour de L’Arrêt de mort
  2. Yue Zhuo
  3. pp. 993-1008
  4. DOI: 10.1353/mln.2014.0087
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  1. Montaigne in Brooklyn: Paul Auster’s Body Writing
  2. Jack I. Abecassis
  3. pp. 1035-1059
  4. DOI: 10.1353/mln.2014.0070
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  1. Œuvres complètes de Voltaire, 77B. Œuvres de 1775–1776 by Voltaire (review)
  2. Nicole Karam
  3. pp. 1063-1065
  4. DOI: 10.1353/mln.2014.0078
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  1. Medieval Crossover: Reading the Secular against the Sacred by Barbara Newman (review)
  2. Miles Hopgood
  3. pp. 1065-1067
  4. DOI: 10.1353/mln.2014.0082
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  1. Saints at Play: The Performance Features of French Hagiographic Mystery Plays by Vicki L Hamblin (review)
  2. Melissa Verhey
  3. pp. 1067-1070
  4. DOI: 10.1353/mln.2014.0086
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  1. Crise de plume et souveraineté du pinceau. Écrire la peinture de Diderot à Proust by Nicolas Valazza (review)
  2. Loïse Lelevé
  3. pp. 1070-1077
  4. DOI: 10.1353/mln.2014.0089
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  1. Beckett et Descartes dans l’œuf: Aux sources de l’œuvre beckettienne: de Whoroscope à Godot by Edward Bizub (review)
  2. Jena Whitaker
  3. pp. 1077-1079
  4. DOI: 10.1353/mln.2014.0093
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  1. Proses du monde: Les enjeux sociaux des styles littéraires by Nelly Wolf (review)
  2. Cecilia Benaglia
  3. pp. 1080-1086
  4. DOI: 10.1353/mln.2014.0072
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  1. Autobiographie des objets by François Bon (review)
  2. Rebecca Loescher
  3. pp. 1087-1089
  4. DOI: 10.1353/mln.2014.0076
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  1. Vies pøtentielles by Camille de Toledo (review)
  2. David Hayden
  3. pp. 1089-1091
  4. DOI: 10.1353/mln.2014.0080
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  1. Introduction: Conjecture in the Age of Diderot
  2. Wilda Anderson
  3. pp. 735-739
  4. DOI: 10.1353/mln.2014.0090
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  1. Contributors
  2. pp. 1092-1095
  3. DOI: 10.1353/mln.2014.0084
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