1. Editor’s Note: Dance in the Museum
  2. Mark Franko, André Lepecki
  3. pp. 1-4
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  1. Play Dead: Dance, Museums, and the “Time-Based Arts”
  2. Marcella Lista
  3. pp. 5-23
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  1. Experience as Artifact: Transformations of the Immaterial
  2. Franz Anton Cramer
  3. pp. 24-31
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  1. OCCUPY MoMA: The (Risks and) Potentials of a Musée de la danse!
  2. Alessandra Nicifero
  3. pp. 32-44
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  1. Manifesto for a National Choreographic Centre
  2. Boris Charmatz
  3. pp. 45-48
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  1. Interview with Boris Charmatz
  2. Boris Charmatz
  3. pp. 49-52
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  1. The Way We Perform Now
  2. Shannon Jackson
  3. pp. 53-61
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  1. The Perils and Possibilities of Dance in the Museum: Tate, MoMA, and Whitney
  2. Claire Bishop
  3. pp. 62-76
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  1. Opening Hours
  2. Inés Moreno
  3. pp. 77-88
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  1. Welcome to This Situation: Tino Sehgal’s Impersonal Ethics
  2. Toni Pape, Noémie Solomon, Alanna Thain
  3. pp. 89-100
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  1. Re-Cyclings: Shifting Time, Changing Genre in the Moving Museum
  2. Susanne Foellmer
  3. pp. 101-117
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  1. Primitive Modernities: Tango, Samba, and Nation by Florencia Garramuño (review)
  2. Michelle Clayton
  3. pp. 118-121
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  1. Performing Queer Latinidad: Dance, Sexuality, Politics by Ramón Rivera-Servera (review)
  2. Cindy Garcia
  3. pp. 121-123
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  1. Swans of the Kremlin: Ballet and Power in Soviet Russia by Christina Ezrahi (review)
  2. Hanna Järvinen
  3. pp. 123-127
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  1. Carmen: A Gypsy Geography by Ninotchka Devorah Bennahum (review)
  2. Suki John
  3. pp. 127-129
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  1. The Irish Dancing: Cultural Politics and Identities, 1900–2000 by Barbara O’Connor (review)
  2. Aoife McGrath
  3. pp. 129-132
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  1. Books Received
  2. pp. 133-134
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