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Table of Contents

  1. Whose hand do we kiss?: Performing Democracy in a Portuguese A Midsummer Night’s Dream
  2. Francesca Rayner
  3. pp. 533-558
  4. DOI: https://doi.org/10.1353/shb.2014.0065
  5. restricted access
  1. Hotel Rooms and Bodily Fluids in Two Recent Productions of Measure for Measure, Or, Why Barnardine is Still Important
  2. Huw Griffiths
  3. pp. 559-583
  4. DOI: https://doi.org/10.1353/shb.2014.0069
  5. restricted access
  1. Surpassing the King’s Two Bodies: The Politics Of Staging the Royal Effigy in Marlowe’s Edward II
  2. Thomas P. Anderson
  3. pp. 585-611
  4. DOI: https://doi.org/10.1353/shb.2014.0072
  5. restricted access
  1. No Puppets Dallying: Green’s 1626 Production of Hamlet
  2. June Schlueter
  3. pp. 613-628
  4. DOI: https://doi.org/10.1353/shb.2014.0075
  5. restricted access
  1. “Apparel oft proclaims the man”: Visualizing Hamlet on the Early Modern Stage
  2. Robert I. Lublin
  3. pp. 629-647
  4. DOI: https://doi.org/10.1353/shb.2014.0057
  5. restricted access
  1. Afro-Haitian-American Ritual Power: Vodou in the Welles-FTP Voodoo Macbeth
  2. Benjamin Hilb
  3. pp. 649-681
  4. DOI: https://doi.org/10.1353/shb.2014.0060
  5. restricted access
  1. Racial Authenticity: The Tension between Production & Reception in the Shakespeare Archive
  2. Ayanna Thompson
  3. pp. 683-686
  4. DOI: https://doi.org/10.1353/shb.2014.0063
  5. restricted access
  1. Welles’s “Voodoo” Macbeth: Neither Vodou nor Welles? Discuss.
  2. Marguerite Rippy
  3. pp. 687-692
  4. DOI: https://doi.org/10.1353/shb.2014.0067
  5. restricted access
  1. Shakespeare and the Process of Appropriation
  2. Peter Erickson
  3. pp. 693-695
  4. DOI: https://doi.org/10.1353/shb.2014.0071
  5. restricted access
  1. Receiving Vodou Macbeth
  2. Benjamin Hilb
  3. pp. 697-703
  4. DOI: https://doi.org/10.1353/shb.2014.0074
  5. restricted access
  1. 2013 Oregon Shakespeare Festival
  2. Michael W. Shurgot
  3. pp. 705-720
  4. DOI: https://doi.org/10.1353/shb.2014.0056
  5. restricted access
  1. Henry V by Chicago Shakespeare Theater (review)
  2. Terri Bourus
  3. pp. 721-725
  4. DOI: https://doi.org/10.1353/shb.2014.0059
  5. restricted access
  1. Julius Caesar by Shakespeare’s Globe (review)
  2. Michael J. Collins
  3. pp. 726-730
  4. DOI: https://doi.org/10.1353/shb.2014.0062
  5. restricted access
  1. The Two Gentlemen of Verona by Pennsylvania Shakespeare Festival, and: Macbeth by Pennsylvania Shakespeare Festival (review)
  2. Justin B. Hopkins
  3. pp. 730-739
  4. DOI: https://doi.org/10.1353/shb.2014.0066
  5. restricted access
  1. Romeo & Juliet by Scottish Ballet, and: The Winter’s Tale by The Royal Ballet (review)
  2. Elizabeth Klett
  3. pp. 739-747
  4. DOI: https://doi.org/10.1353/shb.2014.0070
  5. restricted access
  1. The Taming of the Shrew by Alabama Shakespeare Festival (review)
  2. M. Tyler Sasser
  3. pp. 748-751
  4. DOI: https://doi.org/10.1353/shb.2014.0073
  5. restricted access
  1. Henry IV by West Virginia University’s School of Theatre and Dance, and: 1 Henry IV by Mary Baldwin College’s Shakespeare and Performance program (review)
  2. Charlene V. Smith
  3. pp. 752-756
  4. DOI: https://doi.org/10.1353/shb.2014.0076
  5. restricted access
  1. Julius Caesar by Back Room Shakespeare Project (review)
  2. Elizabeth E. Tavares
  3. pp. 756-760
  4. DOI: https://doi.org/10.1353/shb.2014.0058
  5. restricted access
  1. The Duchess of Malfi by Resurgens Theatre Company (review)
  2. Cameron E. Williams
  3. pp. 760-764
  4. DOI: https://doi.org/10.1353/shb.2014.0061
  5. restricted access
  1. Staging the Blazon in Early Modern Theatre Edited by Deborah Uman and Sara Morrison Farnham, and: Inventions of the Skin: The Painted Body in Early English Drama, 1400–1642 by Andrea Ria Stevens (review)
  2. Patricia Badir
  3. pp. 765-770
  4. DOI: https://doi.org/10.1353/shb.2014.0064
  5. restricted access
  1. The Aesthetics of Spectacle in Early Modern Drama and Modern Cinema: Robert Greene’s Theatre of Attractions by Jenny Sager (review)
  2. Callan Davies
  3. pp. 771-773
  4. DOI: https://doi.org/10.1353/shb.2014.0068
  5. restricted access