In this Issue

Table of Contents

Editors’ Note

Kristen Guest, Mary Elizabeth Leighton, Lisa Surridge, Vanessa Warne
p. 7
DOI: https://doi.org/10.1353/vcr.2012.0008
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The Victorian Walkman

Matthew Rubery
pp. 9-13
DOI: https://doi.org/10.1353/vcr.2012.0016
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Henry Heath’s The Caricaturist’s Scrap Book

Brian Maidment
pp. 13-18
DOI: https://doi.org/10.1353/vcr.2012.0025
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Phonographic Etiquette; or, “The Spirit First Moves Mister Knowles”

Patrick Feaster
pp. 18-23
DOI: https://doi.org/10.1353/vcr.2012.0033
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The January 1861 Quarterly Review as Genre, Media Event, and Research Heuristic

Linda K. Hughes
pp. 23-27
DOI: https://doi.org/10.1353/vcr.2012.0041
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The Domestic and the Disruptive: A Musical Setting of Tennyson’s Maud

Joanna Swafford
pp. 28-31
DOI: https://doi.org/10.1353/vcr.2012.0049
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Translocal Artistry: James McNeill Whistler’s Wapping

Melissa Berry
pp. 31-35
DOI: https://doi.org/10.1353/vcr.2012.0004
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The “Fooliton”: A French Media Invention

Marie-Ève Thérenty
pp. 35-38
DOI: https://doi.org/10.1353/vcr.2012.0012
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An Archaeology of Edison’s Metal Box

Jentery Sayers
pp. 39-41
DOI: https://doi.org/10.1353/vcr.2012.0021
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Reading Numbers by Numbers: Digital Studies and the Victorian Serial Novel

Susan David Bernstein, Catherine Derose
pp. 43-68
DOI: https://doi.org/10.1353/vcr.2012.0030
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Bibliographic Databases and “The Golden Stream”: Constructing the Periodical Poetry Index

Natalie M. Houston, Lindsy Lawrence, April Patrick
pp. 69-80
DOI: https://doi.org/10.1353/vcr.2012.0038
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Marginalia and Community in the Age of the Kindle: Popular Highlights in The Adventures of Sherlock Holmes

Lauren Cameron
pp. 81-99
DOI: https://doi.org/10.1353/vcr.2012.0046
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“One Hot Electric Breath”: EBB’s Technology Debate with Tennyson, Systemic Digital Lags in Nineteenth-Century Literary Scholarship, and the EBB Archive

Marjorie Stone, Keith Lawson
pp. 101-125
DOI: https://doi.org/10.1353/vcr.2012.0001
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The Making of the West End Stage: Marriage, Management and the Mapping of Gender in London, 1830–1870 by Jacky Bratton (review)

Nicholas Daly
pp. 127-128
DOI: https://doi.org/10.1353/vcr.2012.0010
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Satire in an Age of Realism by Aaron Matz (review)

Jessica Queener
pp. 128-130
DOI: https://doi.org/10.1353/vcr.2012.0018
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Liberalism, Imperialism, and the Historical Imagination: Nineteenth-Century Visions of a Greater Britain by Theodore Koditschek (review)

Ian Hesketh
pp. 130-133
DOI: https://doi.org/10.1353/vcr.2012.0027
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The Science of History in Victorian Britain: Making the Past Speak by Ian Hesketh (review)

William Meier
pp. 133-135
DOI: https://doi.org/10.1353/vcr.2012.0035
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Sentimental Masculinity and the Rise of History, 1790–1890 by Mike Goode (review)

Constance Crompton
pp. 135-137
DOI: https://doi.org/10.1353/vcr.2012.0043
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The Oxford History of the Novel in English: Volume 3: The Nineteenth-Century Novel 1820–1880 ed. by John Kucich, Jenny Bourne Taylor (review)

Beth Palmer
pp. 137-139
DOI: https://doi.org/10.1353/vcr.2012.0051
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The Camera as Historian: Amateur Photographers and Historical Imagination, 1885–1918 by Elizabeth Edwards (review)

Owen Clayton
pp. 139-141
DOI: https://doi.org/10.1353/vcr.2012.0006
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Popular Fiction and Brain Science in the Late Nineteenth Century by Anne Stiles (review)

Dennis Denisoff
pp. 141-143
DOI: https://doi.org/10.1353/vcr.2012.0014
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Contributors

pp. 145-149
DOI: https://doi.org/10.1353/vcr.2012.0023
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