In this Issue
Formerly Performing Arts Journal, through volume 19, no. 3, September 1997 (E-ISSN: 1086-3281, Print ISSN: 0735-8393).
Under continuous editorship since its founding in 1976, PAJ has been an influential voice in the arts for twenty-six years. Now in an updated format and design, PAJ offers extended coverage of the visual arts (such as video, installations, photography, and multimedia performance), in addition to reviews of new works in theatre, dance, film, and opera. Issues include artists' writings, essays, interviews and dialogues, historical documentation, performance texts and plays, reports on performance abroad, and book reviews.
published by
The MIT Pressviewing issue
Volume 6, Number 1, 1982 (PAJ 16)Table of Contents
- Alive Wire or Vital Signs
- pp. 39-44
- Perpetual Saturdays
- pp. 46-49
- Who Owns History?
- pp. 50-53
- The Politics of Performance
- pp. 54-67
- Requiem
- pp. 113-125
- A Theatre Divided: Brussels, Belgium
- pp. 126-129
- Partial Eclipse: Caracas, Venezuela
- pp. 129-132
- Highland Fling: Edinburgh, Scotland
- pp. 133-135
- Leonid Andreyev: An Introduction
- pp. 110-112
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Additional Information
ISSN
1086-3281
Print ISSN
0735-8393
Launched on MUSE
2018-01-03
Open Access
No
Archive Status
Will Be Archived 2025
Copyright
Copyright © Performing Arts Journal, Inc and its authors.
