In this Issue

Table of Contents

Front Porch

Harry L. Watson
pp. 1-6
DOI: https://doi.org/10.1353/scu.2014.0006
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The Divided Reception of The Help

Suzanne W. Jones
pp. 7-25
DOI: https://doi.org/10.1353/scu.2014.0008
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Black Women’s Memories and The Help

Valerie Smith
pp. 26-37
DOI: https://doi.org/10.1353/scu.2014.0000
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“A Stake in the Story”: Kathryn Stockett’s The Help, Ellen Douglas’s Can’t Quit You, Baby, and the Politics of Southern Storytelling

Susan V. Donaldson
pp. 38-50
DOI: https://doi.org/10.1353/scu.2014.0002
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“We Ain’t Doin’ Civil Rights”: The Life and Times of a Genre, as Told in The Help

Allison Graham
pp. 51-64
DOI: https://doi.org/10.1353/scu.2014.0003
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Every Child Left Behind: The Many Invisible Children in The Help

Kimberly Wallace-Sanders
pp. 65-76
DOI: https://doi.org/10.1353/scu.2014.0004
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Kathryn Stockett’s Postmodern First Novel

Pearl McHaney
pp. 77-92
DOI: https://doi.org/10.1353/scu.2014.0005
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Twenty-Five Years Out from Telling Memories: Conversations Between Mary Yelling and Susan Tucker

Susan Tucker
pp. 93-101
DOI: https://doi.org/10.1353/scu.2014.0007
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Prayer for My Children

Kate Daniels
p. 102
DOI: https://doi.org/10.1353/scu.2014.0009
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About the Contributors

p. 103
DOI: https://doi.org/10.1353/scu.2014.0001
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