In this Issue

Table of Contents

The Berkeley School of Jewish Literature

David Shneer, Robert Adler-Peckerar
pp. 1-7
DOI: https://doi.org/10.1353/jji.2014.0005
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On the Margins and Other Impossible Spaces

Naomi Seidman
pp. 9-21
DOI: https://doi.org/10.1353/jji.2014.0007
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Milgroym, Rimon and Interwar Jewish Bilingualism

Naomi Brenner
pp. 23-48
DOI: https://doi.org/10.1353/jji.2014.0009
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The Purim-shpiler and the Melancholy Clown: Folk Performance between Tradition and Modernism in the Work of Avraham Shlonsky and Moyshe Broderzon

Zehavit Stern
pp. 49-78
DOI: https://doi.org/10.1353/jji.2014.0011
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What Does It Mean to Write a Modern Jewish Sonnet?: Some Challenges of Yiddish and Hebrew

Jordan Finkin
pp. 79-107
DOI: https://doi.org/10.1353/jji.2014.0001
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Translation on the Margins: Hebrew-German-Yiddish Multilingualism in Avraham Ben Yitzhak and Yoel Hoffmann

Maya Barzilai
pp. 109-128
DOI: https://doi.org/10.1353/jji.2014.0002
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The Language that was Lost on the Roads: Discovering Hebrew through Yiddish in Aharon Appelfeld’s Fiction

Shachar Pinsker
pp. 129-141
DOI: https://doi.org/10.1353/jji.2014.0004
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The End of “Language Wanderings?”: Yiddish in David Grossman’s Ayen erekh: ahava and Aharon Megged’s Foiglman

Yael Chaver
pp. 143-162
DOI: https://doi.org/10.1353/jji.2014.0006
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Material Visions: The Poetry and Collage of Leah Goldberg’s Native Landscapes

Barbara Mann
pp. 163-186
DOI: https://doi.org/10.1353/jji.2014.0008
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Salvage Poetics: S.Y. Agnon’s A Guest for the Night

Sheila E. Jelen
pp. 187-199
DOI: https://doi.org/10.1353/jji.2014.0010
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“Be Thou Like a Young Hart, O Beloved Mine”: Dahlia Ravikovitch’s Song of Songs

Ilana Pardes
pp. 201-210
DOI: https://doi.org/10.1353/jji.2014.0000
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Contributors

pp. vi-ix
DOI: https://doi.org/10.1353/jji.2014.0003
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