1. New Art Techniques: Color Drypoint, Woodcut and Chromatic Wood Sculpture
  2. Mortimer Borne
  3. pp. 107-116
  4. restricted access
  1. L’abstrait et Le Reel
  2. Jacques Mandelbrojt
  3. pp. 117-125
  4. restricted access
  1. About the Physical in Painting
  2. Xanti Schawinsky
  3. pp. 127-134
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  1. The Cubic Element in My Sculpture
  2. Jacques Schnier
  3. pp. 135-145
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  1. Technology, Engineering, Science and Modern Education
  2. C. S. Draper
  3. pp. 147-153
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  1. The Failure of Basic Design
  2. Peter Lloyd Jones
  3. pp. 155-160
  4. restricted access
  1. On Art Fashions and the Artist’s Preoccupation with Science
  2. L. Alcopley
  3. pp. 161-162
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  1. Recherche De Simplification
  2. Vincent Batbedat
  3. pp. 163-165
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  1. Symmetrical and Sequential Images
  2. James W. Davis
  3. pp. 167-169
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  1. Plexiglas Relief for the Great Southwest Industrial Park, Atlanta, Georgia, U.S.A.
  2. Dorothy Dehner
  3. pp. 171-173
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  1. Void or Pattern
  2. Susan Glyn
  3. pp. 175-178
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  1. Corner Paintings
  2. Frank J. Malina
  3. pp. 179-180
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  1. The Outline in the Early Beginnings of Art
  2. S. Giedion
  3. pp. 181-192
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  1. On the Reasons for a Revolution: A Study Paper by the Association of Members of Hornsey College of Art, England
  2. pp. 193-198
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  1. Terminology = Terminologie
  2. pp. 199-200
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  1. Team 10 Primer ed. by Alison Smithson (review)
  2. Guy S. Metraux, Kenneth Frampton
  3. pp. 201-202
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  1. Graphic Communication by William J. Bowman (review)
  2. Yona Friedman
  3. p. 203
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  1. Welded Sculpture by Nathan Cabot Hale (review)
  2. H. Cousins
  3. p. 203
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  1. Mosaic Techniques by Mary Lou Stribling (review)
  2. Aubrey Bush
  3. p. 204
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  1. Letters = Lettres
  2. S. W. Hayter, R. Buckminster Fuller, Raoul Hausmann, Laurie De Vault, Daniel E. Noble, Gérard Gassiot-Talabot, George A. Agoston
  3. pp. 217-219
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  1. Books Received
  2. p. 204
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