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In this Issue

Table of Contents

  1. Illustration
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  1. Volume Contents and Author Index Volume 17, 1984
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  1. Painting and Physics: Modeling Artistic and Scientific Experience in Four Spatial Dimensions
  2. Tony Robbin
  3. pp. 227-233
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  1. Mosaic Painting Using Natural and Industrial Materials
  2. Cheng Shangjun, Makepeace Tsao, Lin Xiaoping
  3. pp. 234-236
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  1. Performing Objects: Technology without Purpose
  2. Timothy Richards
  3. pp. 237-240
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  1. Skinning Cars in the American West: Transforming Automobile Bodies into Relief Sculptures
  2. Dustin Shuler, Bryan Rogers
  3. pp. 241-244
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  1. Combining Symbolism and Fantasy in Painting
  2. Joshy Stieber
  3. pp. 245-246
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  1. Surrealism–An Alternative Approach: Veristic Attitudes in the Work and Writings of Contemporary Surrealists
  2. Michael S. Bell, Carol Law
  3. pp. 247-252
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  1. Tetrahedron Modeling: Art/Science Metaphors for Order in Space
  2. Julian Rowan
  3. pp. 253-260
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  1. On the Similarities between Scientific Discovery and Musical Creativity: A Philosophical Analysis
  2. Paul C. L. Tang
  3. pp. 261-268
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  1. Drawing for Designing
  2. Peter Lloyd Jones
  3. pp. 269-276
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  1. Human Evolution in the Age of the Intelligent Machine
  2. William I. McLaughlin
  3. pp. 277-287
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  1. Theoretical Perspectives on the Arts, Sciences and Technology
  2. David Carrier
  3. pp. 288-294
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  1. Electra (review)
  2. George A. Agoston
  3. p. 297
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  1. The Amazing Decade: Women and Performance Art in America 1970–1980 ed. by Moira Roth (review)
  2. Michele Linfante
  3. p. 297
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  1. Conceptual Issues in Evolutionary Biology—An Anthology ed. by Elliott Sober (review)
  2. Jack T. Tomlinson
  3. pp. 297-298
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  1. Science Defied and Science Deified: The Historical Significance of Science in Western Culture from the Bronze Age to the Beginning of the Modern Era, ca. 3500 B.C. to ca. A.D. 1640 by Richard Olson (review)
  2. Waldo E. Haisley
  3. p. 298
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  1. Relativity Visualized by Lewis Epstein (review)
  2. Susan Lea
  3. p. 299
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  1. Computer Images: State of the Art by Joseph Deken (review)
  2. Stephen Wilson
  3. p. 299
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  1. The Handbook of Artificial Intelligence ed. by Avron Barr, Paul R. Cohen, Edward A. Feigenbaum (review)
  2. Stephen Wilson
  3. pp. 299-300
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  1. Russian and Greek Ikons from the Charles Pankow Collection of Russian and Greek Ikons through the Nineteenth Century by Van Doren Galleries (review)
  2. Kirill Sokolov
  3. p. 300
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  1. Russian Avant-Garde Art: The George Costakis Collection ed. by Angelica Z. Rudenstine (review)
  2. Anthony Parton
  3. p. 300
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  1. Russian Constructivism by Christina Lodder (review)
  2. Kirill Sokolov
  3. pp. 300-301
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  1. Dreams and Nightmares: Utopian Visions in Modern Art by Valerie J. Fletcher (review)
  2. Peter Walch
  3. p. 301
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  1. The Interpretation of Visual Motion by Shimon Ullman (review)
  2. Vladimir Tamari
  3. pp. 301-302
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  1. Distortion in Art: the Eye and the Mind by J. B. Deregowski (review)
  2. Rudolf Arnheim
  3. p. 302
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  1. The Genius of Arab Civilization ed. by J. R. Hayes (review)
  2. Vladimir Tamari
  3. pp. 302-303
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  1. The Aesthetic Imperative, Relevance and Responsibility in Arts Education, Curriculum Issues in Art Education, Vol. 2 ed. by M. Ross (review)
  2. Marilyn Johnston
  3. p. 303
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  1. Balthus by Stanislas Klossowski De Rola (review)
  2. Ferris Cook
  3. pp. 303-304
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  1. Kettle’s Yard: A Way of Life by Jim Ede (review)
  2. Florence M. Hetzler
  3. p. 304
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  1. Man About Town, Frank Lloyd Wright in New York City by Herbert Muschamp (review)
  2. Rob Kostka
  3. pp. 304-305
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  1. New American Art Museums by Helen Searing (review)
  2. Rob Kostka
  3. pp. 305-306
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  1. Books Received
  3. p. 306
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