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In this Issue

Table of Contents

  1. Personalities at the Salon of Digits
  2. Timothy Binkley
  3. pp. 337-338
  4. restricted access
  1. Sublime Ecologies and Artistic Endeavors: Artificial Life and Interactivity in the Online Project TechnoSphere
  2. Jane Prophet
  3. pp. 339-344
  4. restricted access
  1. Narrative Structures for New Media: Towards a New Definition
  2. Pamela Jennings
  3. pp. 345-350
  4. restricted access
  1. Moist Realities: The Arts and the New Biologies
  2. Roger F. Malina
  3. pp. 351-353
  4. restricted access
  1. Cyborgesian Tenets and Indeterminate Endings: The Decline and Disappearance of Destiny for Authors
  2. Adrianne Wortzel
  3. pp. 354-372
  4. restricted access
  1. Writing Networks: New Media, Potential Literature
  2. Noah Wardrip-Fruin
  3. pp. 355-373
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  1. Digital Transformations of Time: The Aesthetics of the Internet
  2. Marlena Corcoran
  3. pp. 375-378
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  1. The Bearded Lady and the Shaven Man: Mona Lisa, meet Mona/Leo
  2. Antoinette LaFarge
  3. pp. 379-383
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  1. The “Two Cultures” Revisited
  2. Ando Arike
  3. pp. 385-388
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  1. Ornitorrinco and Rara Avis: Telepresence Art on the Internet
  2. Eduardo Kac, Ed Bennett
  3. pp. 389-400
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  1. Don’t Press That Button
  2. Matthew J. Costello
  3. pp. 401-403
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  1. Fight or Flight
  2. Kirsten Solberg
  3. p. 405
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  1. The Isle of Purbeck
  2. Jeremy Gardiner
  3. p. 406
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  1. Omni IMMersion
  2. Osnat Shaked
  3. p. 407
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  1. Rubaiyat
  2. Peter Terezakis
  3. p. 407
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  1. Machine Ecstasy 100
  2. Eva Sutton
  3. p. 408
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  1. Mnemonic Notations
  2. Ralph Wayment, Phillip George
  3. p. 408
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  1. V-Chip Culture
  2. Colin Ives
  3. p. 409
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  1. The Databank of the Everyday
  2. Natalie Bookchin
  3. p. 409
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  1. The Transgenic Bagel
  2. Sonya Rapoport
  3. p. 410
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  1. East Window
  2. Doron Golan
  3. p. 410
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  1. The Blue Lola
  2. Peter Klueger
  3. p. 411
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  1. The Songlines
  2. Anna Thomas
  3. p. 411
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  1. Get Lost…or Found!
  2. Barbara Nessim
  3. p. 413
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  1. Gallery Artworks
  3. pp. 413-439
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  1. Ode to Computer Animation
  2. Sonya Shannon
  3. p. 441
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  1. Computer Animations
  3. pp. 441-457
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  1. What’s the Use?
  2. Ken Feingold
  3. pp. 459-460
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  1. Net-Works
  3. pp. 460-465
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  1. Exhibiting Artists
  3. pp. 466-468
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  1. The Jury
  3. pp. 469-470
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