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Table of Contents

  1. Two Modernist Approaches to Linking Art and Science
  2. Eric R. Kandel
  3. pp. 315-340
  4. DOI: https://doi.org/10.1353/aim.2013.0016
  5. restricted access
  1. Unlearning and Learning Psychoanalysis
  2. Anton O. Kris
  3. pp. 341-355
  4. DOI: https://doi.org/10.1353/aim.2013.0018
  5. restricted access
  1. The Painter's Eye: Paul-Henri Bourguignon's Haitian Photographs
  2. Erika Bourguignon
  3. pp. 357-383
  4. DOI: https://doi.org/10.1353/aim.2013.0020
  5. restricted access
  1. The Gaze of the Blind: Notes on Cézanne and Cubism
  2. Sergio Benvenuto
  3. pp. 385-406
  4. DOI: https://doi.org/10.1353/aim.2013.0022
  5. restricted access
  1. Brecht and the Gorgon's Head
  2. Alexander Stillmark
  3. pp. 407-413
  4. DOI: https://doi.org/10.1353/aim.2013.0012
  5. restricted access
  1. Dust to Dust: The Figure-Ground Problem of Readymade Realism in Film
  2. John E. Davidson
  3. pp. 415-444
  4. DOI: https://doi.org/10.1353/aim.2013.0013
  5. restricted access
  1. Only Stories Matter: The Psychology and Neurobiology of Story
  2. Richard Brockman
  3. pp. 445-460
  4. DOI: https://doi.org/10.1353/aim.2013.0015
  5. restricted access
  1. Savage Science: Primitives, War Neurotics, and Freud's Uncanny Method
  2. John Zilcosky
  3. pp. 461-486
  4. DOI: https://doi.org/10.1353/aim.2013.0017
  5. restricted access
  1. Barthes, The Neutral, and Our Neutrality
  2. Henry P. Schwartz
  3. pp. 487-513
  4. DOI: https://doi.org/10.1353/aim.2013.0019
  5. restricted access
  1. Mondrian's Search for Geometric Purity: Creativity and Fixation
  2. Bennett Simon
  3. pp. 515-555
  4. DOI: https://doi.org/10.1353/aim.2013.0021
  5. restricted access
  1. Introduction: When Matter Speaks
  2. Louis Rose
  3. pp. 301-313
  4. DOI: https://doi.org/10.1353/aim.2013.0014
  5. restricted access
  1. Contributors
  3. pp. 557-561
  4. DOI: https://doi.org/10.1353/aim.2013.0011
  5. restricted access