In this Issue

Table of Contents

The Place of Mimesis and the Apocalyptic: Toward a Topology of the “Far and Near”

Richard Schenk
pp. 1-24
DOI: https://doi.org/10.1353/ctn.2013.0008
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The Reception of the Mimetic Theory in the German-Speaking World

Andreas Hetzel, Wolfgang Palaver, Dietmar Regensburger, Gabriel Borrud
pp. 25-76
DOI: https://doi.org/10.1353/ctn.2013.0010
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Naturalizing Ethics: A Girardian Perspective

Paul Dumouchel
pp. 77-86
DOI: https://doi.org/10.1353/ctn.2013.0012
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Scandals Must Come

Jeremiah L. Alberg
pp. 87-99
DOI: https://doi.org/10.1353/ctn.2013.0000
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The Nonself of Girard

Samuel Buchoul
pp. 101-116
DOI: https://doi.org/10.1353/ctn.2013.0002
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The Child of Fortune: Envy and the Constitution of the Social Space

Emanuele Antonelli
pp. 117-140
DOI: https://doi.org/10.1353/ctn.2013.0004
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Nietzsche’s Double Binds: Giuseppe Fornari and René Girard on Nietzsche’s Thought

Martino Pesenti Gritti
pp. 141-162
DOI: https://doi.org/10.1353/ctn.2013.0007
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Expositions of Sacrificial Logic: Girard, Žižek, and Cormac McCarthy’s No Country for Old Men

Benjamin Barber
pp. 163-179
DOI: https://doi.org/10.1353/ctn.2013.0009
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To-Night “Golden Curls”: Murder and Mimesis in Hitchcock’s The Lodger

Sanford Schwartz
pp. 181-205
DOI: https://doi.org/10.1353/ctn.2013.0011
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The Sacrificial Ram and the Swan Queen: Mimetic Theory Fades to Black

Brian Collins
pp. 207-237
DOI: https://doi.org/10.1353/ctn.2013.0013
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How Can Satan Cast Out Satan?: Violence and the Birth of the Sacred in Christopher Nolan’s The Dark Knight

Nicholas Bott
pp. 239-251
DOI: https://doi.org/10.1353/ctn.2013.0001
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Re-Visiting the Double: A Girardian Reading of Alfred Hitchcock’s Rope and Strangers on a Train

David Humbert
pp. 253-261
DOI: https://doi.org/10.1353/ctn.2013.0003
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From the Editor

William A. Johnsen
pp. v-vi
DOI: https://doi.org/10.1353/ctn.2013.0005
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Contributors

pp. 263-267
DOI: https://doi.org/10.1353/ctn.2013.0006
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