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Table of Contents

  1. "Emotional Territory": An Interview with Sam Shepard
  2. Carol Rosen
  3. pp. 1-11
  4. DOI: https://doi.org/10.1353/mdr.1993.0005
  5. restricted access
  1. A Worm in the Wood: The Father-Son Relationship in the Plays of Sam Shepard
  2. Henry I. Schvey
  3. pp. 12-26
  4. DOI: https://doi.org/10.1353/mdr.1993.0014
  5. restricted access
  1. Tina Howe's Secret Surrealism: Walking a Tightrope
  2. Rosette C. Lamont
  3. pp. 27-37
  4. DOI: https://doi.org/10.1353/mdr.1993.0035
  5. restricted access
  1. Speed-the-Plow and Speed the Plough: The Work of the Earth
  2. Tony J. Stafford
  3. pp. 38-47
  4. DOI: https://doi.org/10.1353/mdr.1993.0032
  5. restricted access
  1. The Killer's Ancient Mask: Unity and Dualism in Shepard's The Tooth of Crime
  2. Gregory W. Lanier
  3. pp. 48-60
  4. DOI: https://doi.org/10.1353/mdr.1993.0044
  5. restricted access
  1. West's The Day of the Locust and Shepard's Angel City: Refiguring L.A. Noir
  2. Leonard Wilcox
  3. pp. 61-75
  4. DOI: https://doi.org/10.1353/mdr.1993.0041
  5. restricted access
  1. Cain, Canaanites, and Philistines in Sam Shepard's True West
  2. Jeffrey D. Hoeper
  3. pp. 76-82
  4. DOI: https://doi.org/10.1353/mdr.1993.0026
  5. restricted access
  1. "A Population [and Theater] at Risk": Battered Women in Henley's Crimes of the Heart and Shepard's A Lie of the Mind
  2. Janet V. Haedicke
  3. pp. 83-95
  4. DOI: https://doi.org/10.1353/mdr.1993.0008
  5. restricted access
  1. Aborted Rage in Beth Henley's Women
  2. Alan Clarke Shepard
  3. pp. 96-108
  4. DOI: https://doi.org/10.1353/mdr.1993.0023
  5. restricted access
  1. Jessie and Thelma Revisited: Marsha Norman's Conceptual Challenge in 'night, Mother
  2. William W. Demastes
  3. pp. 109-119
  4. DOI: https://doi.org/10.1353/mdr.1993.0039
  5. restricted access
  1. Shifting the Paradigm: Shepard, Myth, and the Transformation of Consciousness
  2. Gary Grant
  3. pp. 120-130
  4. DOI: https://doi.org/10.1353/mdr.1993.0001
  5. restricted access
  1. An American Cowboy on the English Fringe: Sam Shepard's London Audience
  2. Steven Putzel
  3. pp. 131-146
  4. DOI: https://doi.org/10.1353/mdr.1993.0052
  5. restricted access
  1. States of War in Sam Shepard's States of Shock
  2. Susanne Willadt
  3. pp. 147-166
  4. DOI: https://doi.org/10.1353/mdr.1993.0049
  5. restricted access
  1. Feminist Rereadings of Modern American Drama ed. by June Schlueter (review)
  2. Julie Adam
  3. pp. 167-168
  4. DOI: https://doi.org/10.1353/mdr.1993.0012
  5. restricted access
  1. Conversations with Eugene O'Neill ed. by Mark W. Estrin, and: Songs of American Experience: The Vision of O'Neill and Melville by Marc Maufort (review)
  2. Frank R. Cunningham
  3. pp. 169-170
  4. DOI: https://doi.org/10.1353/mdr.1993.0030
  5. restricted access
  1. The Performance of Power: Theatrical Discourse and Politics ed. by Sue-Ellen Case and Janelle Reinelt (review)
  2. Alan Filewod
  3. pp. 170-172
  4. DOI: https://doi.org/10.1353/mdr.1993.0047
  5. restricted access
  1. Eugene O'Neill's Century: Centennial Views on America's Foremost Dramatist ed. by Richard F. Moorton, Jr. (review)
  2. Michael Hinden
  3. pp. 173-174
  4. DOI: https://doi.org/10.1353/mdr.1993.0017
  5. restricted access
  1. Contributors
  3. pp. 175-177
  4. DOI: https://doi.org/10.1353/mdr.1993.0021
  5. restricted access