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Table of Contents

  1. Theater in Recent English Theater
  2. Ruby Cohn
  3. pp. 1-13
  4. DOI: https://doi.org/10.1353/mdr.1987.0047
  5. restricted access
  1. Catastrophe: Beckett's Laboratory / Theatre
  2. Bert O. States
  3. pp. 14-22
  4. DOI: https://doi.org/10.1353/mdr.1987.0058
  5. restricted access
  1. The Space of Play in L'Impromptu d' Ohio
  2. Audrey McMullan
  3. pp. 23-34
  4. DOI: https://doi.org/10.1353/mdr.1987.0006
  5. restricted access
  1. The Consumption of Empty Signs: Jean Genet's The Balcony
  2. Maria Shevtsova
  3. pp. 35-45
  4. DOI: https://doi.org/10.1353/mdr.1987.0016
  5. restricted access
  1. Fool of Desire: The Spectator to the Plays of Sam Shepard
  2. Ann Wilson
  3. pp. 46-57
  4. DOI: https://doi.org/10.1353/mdr.1987.0026
  5. restricted access
  1. Sam Shepard: Theatrical Power and American Dreams
  2. Sheila Rabillard
  3. pp. 58-71
  4. DOI: https://doi.org/10.1353/mdr.1987.0035
  5. restricted access
  1. Actors Acting Actors
  2. Martin Esslin
  3. pp. 72-79
  4. DOI: https://doi.org/10.1353/mdr.1987.0044
  5. restricted access
  1. Strindberg's Gustav III: The Player King on the Stage of History
  2. Matthew H. Wikander
  3. pp. 80-89
  4. DOI: https://doi.org/10.1353/mdr.1987.0054
  5. restricted access
  1. The Discipline of the Theatrical Sense: At the Hawk's Well and the Rhetoric of the Stage
  2. William B. Worthen
  3. pp. 90-103
  4. DOI: https://doi.org/10.1353/mdr.1987.0002
  5. restricted access
  1. Theatertheater/Theaterspiele: The Plays of Thomas Bernhard
  2. Nicholas Eisner
  3. pp. 104-114
  4. DOI: https://doi.org/10.1353/mdr.1987.0012
  5. restricted access
  1. Sean O'Casey by James Simmons, and: My Very Dear Sean: George Jean Nathan to Sean O'Casey, Letters and Articles ed. by Robert G. Lowery and Patricia Angelin (review)
  2. Andrew Parkin
  3. pp. 115-117
  4. DOI: https://doi.org/10.1353/mdr.1987.0022
  5. restricted access
  1. William Archer on Ibsen: The Major Essays, 1889-1919 ed. by Thomas Postlewait (review)
  2. Charles Leland
  3. pp. 117-119
  4. DOI: https://doi.org/10.1353/mdr.1987.0031
  5. restricted access
  1. Ingmar Bergman: Four Decades in the Theater by Lise-Lone Marker and Frederick J. Marker (review)
  2. Barry Jacobs
  3. pp. 122-125
  4. DOI: https://doi.org/10.1353/mdr.1987.0050
  5. restricted access
  1. The Language of Silence: On the Unspoken and Unspeakable in Modern Drama by Leslie Kane (review)
  2. Steven H. Gale
  3. pp. 127-128
  4. DOI: https://doi.org/10.1353/mdr.1987.0009
  5. restricted access
  1. Final Acts: The Creation of Three Late O'Neill Plays by Judith E. Barlow (review)
  2. Michael Hinden
  3. pp. 129-131
  4. DOI: https://doi.org/10.1353/mdr.1987.0019
  5. restricted access
  1. The Repertory Movement: A History of Regional Theatre in Britain by George Rowell and Anthony Jackson (review)
  2. Christopher Innes
  3. pp. 131-133
  4. DOI: https://doi.org/10.1353/mdr.1987.0028
  5. restricted access
  1. Feminist Theatre: An Introduction to Plays of Contemporary British and American Women by Helene Keyssar, and: Feminist Theatre: A Study in Persuasion by Elizabeth J. Natalle (review)
  2. Karen Laughlin
  3. pp. 119-122
  4. DOI: https://doi.org/10.1353/mdr.1987.0040
  5. restricted access
  1. A Critical Introduction to Twentieth-Century American Drama, Volume Two: Williams/Miller/Albee by C.W.E. Bigsby (review)
  2. June Schlueter
  3. pp. 125-127
  4. DOI: https://doi.org/10.1353/mdr.1987.0061
  5. restricted access
  1. Contributors
  3. pp. 134-135
  4. DOI: https://doi.org/10.1353/mdr.1987.0037
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