In this Issue

Table of Contents

Front Porch

Jocelyn R. Neal
pp. 1-6
DOI: https://doi.org/10.1353/scu.2013.0010
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Articles

The New Masters of Eloquence: Southernness, Senegal, and Transatlantic Hip-Hop Mobilities

Ali Colleen Neff
pp. 7-25
DOI: https://doi.org/10.1353/scu.2013.0001
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Steelin' the Slide: Hawai'i and the Birth of the Blues Guitar

John W. Troutman
pp. 26-52
DOI: https://doi.org/10.1353/scu.2013.0003
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Trading Verses: James "Son Ford" Thomas and Allen Ginsberg

William R. Ferris
pp. 53-60
DOI: https://doi.org/10.1353/scu.2013.0005
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The Color of the Blues: Considering Revisionist Blues Scholarship

Christian O'Connell
pp. 61-81
DOI: https://doi.org/10.1353/scu.2013.0007
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The Bootleg South: The Geography of Music Piracy in the 1970s

Alex Sayf Cummings
pp. 82-97
DOI: https://doi.org/10.1353/scu.2013.0008
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Outback Elvis: Riding with the King in Parkes, Australia

Gretchen Wood
pp. 98-110
DOI: https://doi.org/10.1353/scu.2013.0009
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The Banjo

Michael McFee
p. 111
DOI: https://doi.org/10.1353/scu.2013.0000
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Rufus Thomas, Man of the House of Happiness

Thomas Hackett
pp. 112-116
DOI: https://doi.org/10.1353/scu.2013.0002
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The Global Southern Music Issue’s CD

Traveling Shoes

Aaron Smithers
p. 117
DOI: https://doi.org/10.1353/scu.2013.0004
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About the Contributors

p. 118
DOI: https://doi.org/10.1353/scu.2013.0006
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