1. From the Mast-Head
  2. John Bryant
  3. pp. 3-5
  4. restricted access
  1. Unbolting Melville's Japan
  2. A. Robert Lee
  3. pp. 7-10
  4. restricted access
  1. Herman Melville and Modern Japan: A Speculative Re-Interpretation of the Critical History
  2. Yuji Kato
  3. pp. 11-18
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  1. Commodore Perry as White Phantom: Moby-Dick in the Context of the Modern Age
  2. Arimichi Makino
  3. pp. 19-24
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  1. Herman Melville, Matthew Perry, and the Narrative of the Expedition of an American Squadron to the China Seas and Japan
  2. Dorsey Kleitz
  3. pp. 25-32
  4. restricted access
  1. A Shadow of the Far East: Fedallah; or, a Japanese Sea Drifter
  2. Ikuno Saiki
  3. pp. 33-42
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  1. Cannibal Connections: A Buddhist Reading of "The Encantadas"
  2. Tomoyuki Zettsu
  3. pp. 43-50
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  1. Native America in The Confidence-Man: Quite an Original Satire and Scene
  2. Yukiko Oshima
  3. pp. 51-60
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  1. Three Poems
  2. Elizabeth Schultz
  3. pp. 63-64
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  1. A Historical Guide to Herman Melville (review)
  2. Gale Temple
  3. pp. 67-71
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  1. Melville's Allusions to Religion: A Comprehensive Index and Glossary (review)
  2. Kathleen E. Kier
  3. pp. 72-75
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  1. All Astir
  2. Wyn Kelley
  3. pp. 79-81
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  1. Who Speaks in Melville's Poems?
  2. Faith Barrett
  3. p. 83
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  1. Margins of Poetry: The Character of Character in Melville's "The Temeraire"
  2. Dan Fineman
  3. pp. 83-84
  4. restricted access
  1. History, Ruins, Voices: Reading Herman Melville's Clarel
  2. Amy R. Nestor
  3. pp. 84-85
  4. restricted access
  1. Melville's Public Voice: The John Marr Monologues, James Whitcomb Riley, and the Question of Popularity
  2. Matthew Giordano
  3. p. 85
  4. restricted access
  1. Jill Barnum
  2. Elizabeth Schultz
  3. pp. 87-89
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