1. From the Mast-Head
  2. John Bryant
  3. pp. 3-5
  4. restricted access contents
  1. Unbolting Melville's Japan
  2. A. Robert Lee
  3. pp. 7-10
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  1. Herman Melville and Modern Japan: A Speculative Re-Interpretation of the Critical History
  2. Yuji Kato
  3. pp. 11-18
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  1. Commodore Perry as White Phantom: Moby-Dick in the Context of the Modern Age
  2. Arimichi Makino
  3. pp. 19-24
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  1. Herman Melville, Matthew Perry, and the Narrative of the Expedition of an American Squadron to the China Seas and Japan
  2. Dorsey Kleitz
  3. pp. 25-32
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  1. A Shadow of the Far East: Fedallah; or, a Japanese Sea Drifter
  2. Ikuno Saiki
  3. pp. 33-42
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  1. Cannibal Connections: A Buddhist Reading of "The Encantadas"
  2. Tomoyuki Zettsu
  3. pp. 43-50
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  1. Native America in The Confidence-Man: Quite an Original Satire and Scene
  2. Yukiko Oshima
  3. pp. 51-60
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  1. Three Poems
  2. Elizabeth Schultz
  3. pp. 63-64
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  1. A Historical Guide to Herman Melville (review)
  2. Gale Temple
  3. pp. 67-71
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  1. Melville's Allusions to Religion: A Comprehensive Index and Glossary (review)
  2. Kathleen E. Kier
  3. pp. 72-75
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  1. All Astir
  2. Wyn Kelley
  3. pp. 79-81
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  1. Who Speaks in Melville's Poems?
  2. Faith Barrett
  3. p. 83
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  1. Margins of Poetry: The Character of Character in Melville's "The Temeraire"
  2. Dan Fineman
  3. pp. 83-84
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  1. History, Ruins, Voices: Reading Herman Melville's Clarel
  2. Amy R. Nestor
  3. pp. 84-85
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  1. Melville's Public Voice: The John Marr Monologues, James Whitcomb Riley, and the Question of Popularity
  2. Matthew Giordano
  3. p. 85
  4. restricted access contents
  1. Jill Barnum
  2. Elizabeth Schultz
  3. pp. 87-89
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