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Table of Contents

  1. Poetry, Terrorism, and the Uncanny: “Timothy McVeigh’s ‘Invictus’”
  2. David McCooey
  3. pp. 485-505
  4. DOI: https://doi.org/10.1353/crt.2012.0033
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  1. Black Skin, Black Masks: The Citational Self in the Work of Glenn Ligon
  2. Lauren DeLand
  3. pp. 507-537
  4. DOI: https://doi.org/10.1353/crt.2012.0035
  5. restricted access
  1. A “Reconcepted Am”: Language, Nature, and Collectivity in Sun Ra and Henry Dumas
  2. Nathan Ragain
  3. pp. 539-565
  4. DOI: https://doi.org/10.1353/crt.2012.0037
  5. restricted access
  1. The Secret Subject: Michel Foucault, Death and the Labyrinth, and the Interview as Genre
  2. Whitney Arnold
  3. pp. 567-581
  4. DOI: https://doi.org/10.1353/crt.2012.0029
  5. restricted access
  1. Aesthetic Uncommon Sense: Early Modern Taste and the Satirical Sublime
  2. Eric Byville
  3. pp. 583-621
  4. DOI: https://doi.org/10.1353/crt.2012.0030
  5. restricted access
  1. Shame Now: Ruth Leys Diagnoses the New Queer Shame Culture
  2. J. Keith Vincent
  3. pp. 623-632
  4. DOI: https://doi.org/10.1353/crt.2012.0031
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  1. Art Music and the Machine
  2. Gustavus Stadler
  3. pp. 633-636
  4. DOI: https://doi.org/10.1353/crt.2012.0032
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  1. Postcritical Theory?: Demanding the Possible
  2. Jeff Pruchnic
  3. pp. 637-657
  4. DOI: https://doi.org/10.1353/crt.2012.0034
  5. restricted access
  1. The Art of Undeceiving
  2. Michael Gaudio
  3. pp. 659-662
  4. DOI: https://doi.org/10.1353/crt.2012.0036
  5. restricted access
  1. Index to Volume 54 of Criticism 2012
  3. pp. 663-665
  4. DOI: https://doi.org/10.1353/crt.2012.0038
  5. restricted access