1. Drama and Ritual Once Again: Notes toward a Revival of Tragic Theory
  2. Michael Hinden
  3. pp. 183-202
  4. DOI: 10.1353/cdr.1995.0036
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  1. Questions of Identity in Contemporary Hong Kong Theater
  2. Clayton G. MacKenzie
  3. pp. 203-215
  4. DOI: 10.1353/cdr.1995.0044
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  1. Social Disorder, Festive Celebration, and Jean Michel's Le Mistere de la Passion JesusCrist
  2. Sandra Billington
  3. pp. 216-247
  4. DOI: 10.1353/cdr.1995.0002
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  1. "Sinnekins" and the Vice: Prolegomena
  2. Peter Happé, Wim Hüsken
  3. pp. 248-269
  4. DOI: 10.1353/cdr.1995.0010
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  1. Mocking the Meat It Feeds On: Representing Sarah Churchill's Hystericks in Addison's Rosamond
  2. Luis R. Gámez
  3. pp. 270-285
  4. DOI: 10.1353/cdr.1995.0018
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  1. Euripides and the Poetics of Sorrow by Charles Segal (review)
  2. Jerome Mazzaro
  3. pp. 286-287
  4. DOI: 10.1353/cdr.1995.0025
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  1. The Stage and Social Struggle in Early Modern England by Jean E. Howard (review)
  2. Susan Snyder
  3. pp. 288-290
  4. DOI: 10.1353/cdr.1995.0033
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  1. The Rest Is Silence: Death as Annihilation in the English Renaissance by Robert Watson (review)
  2. David Bevington
  3. pp. 294-298
  4. DOI: 10.1353/cdr.1995.0049
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  1. El teatro mexicano en cierne (1922-1938) by Guillermo Schmidhuber (review)
  2. Laurietz Seda
  3. pp. 298-300
  4. DOI: 10.1353/cdr.1995.0007
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  1. The Jamaican Stage 1655-1900: Profile of a Colonial Theatre by Errol Hill (review)
  2. Y. S. Bains
  3. pp. 300-302
  4. DOI: 10.1353/cdr.1995.0015
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