1. Editors’ Column
  2. Lori Ann Garner, R. Scott Garner
  3. DOI: 10.1353/ort.2011.0014
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  1. Juxtaposing Cogadh Gáedel re Gallaib with Orkneyinga saga
  2. Thomas A. DuBois
  3. DOI: 10.1353/ort.2011.0029
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  1. Toward an Ethnopoetically Grounded Edition of Homer’s Odyssey
  2. Steve Reece
  3. DOI: 10.1353/ort.2011.0034
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  1. Matija Murko, Wilhelm Radloff, and Oral Epic Studies
  2. Aaron Phillip Tate
  3. DOI: 10.1353/ort.2011.0039
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  1. Cicero the Homerist
  2. Carolyn Higbie
  3. DOI: 10.1353/ort.2011.0017
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  1. Toward a Ritual Poetics: Dream of the Rood as a Case Study
  2. Heather Maring
  3. DOI: 10.1353/ort.2011.0022
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  1. Oral Tradition and Sappho
  2. R. Scott Garner
  3. DOI: 10.1353/ort.2011.0027
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  1. Variation within Limits: An Evolutionary Approach to the Structure and Dynamics of the Multiform
  2. Michael D. C. Drout
  3. DOI: 10.1353/ort.2011.0032
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  1. Leslie Marmon Silko and Simon J. Ortiz: Pathways to the Tradition
  2. Dave Henderson
  3. DOI: 10.1353/ort.2011.0037
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  1. “Stricken to Silence”: Authoritative Response, Homeric Irony, and the Peril of a Missed Language Cue
  2. Andrew E. Porter
  3. DOI: 10.1353/ort.2011.0041
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  1. Vernacular Phrasal Display: Towards the Definition of a Form
  2. Adam Brooke Davis
  3. DOI: 10.1353/ort.2011.0015
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  1. The Role of Memory in the Tradition Represented by the Deuteronomic History and the Book of Chronicles
  2. Raymond F. Person Jr.
  3. DOI: 10.1353/ort.2011.0020
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  1. Memory on Canvas: Commedia dell’Arte as a Model for Homeric Performance
  2. Timothy W. Boyd
  3. DOI: 10.1353/ort.2011.0025
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  1. Changing Traditions and Village Development in Kalotaszentkirály
  2. Wayne B. Kraft
  3. DOI: 10.1353/ort.2011.0030
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  1. Intentionally Adrift: What The Pathways Project Can Teach Us about Teaching and Learning
  2. Bonnie D. Irwin
  3. DOI: 10.1353/ort.2011.0035
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  1. Sean-nós i gConamara / Sean-nós in Connemara: Digital Media and Oral Tradition in the West of Ireland
  2. Holly Hobbs
  3. DOI: 10.1353/ort.2011.0040
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  1. The Metonym: Rhetoric and Oral Tradition at the Crossroads
  2. Catherine Quick
  3. DOI: 10.1353/ort.2011.0013
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  1. Heroic Register, Oral Tradition, and the Alliterative Morte Arthure
  2. Rebecca Richardson Mouser
  3. DOI: 10.1353/ort.2011.0018
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  1. Prisons, Performance Arena, and Occupational Humor
  2. Claire Schmidt
  3. DOI: 10.1353/ort.2011.0023
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  1. Beowulf’s Singers of Tales as Hyperlinks
  2. Peter Ramey
  3. DOI: 10.1353/ort.2011.0028
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  1. Rethinking Individual Authorship: Robert Burns, Oral Tradition, and the Twenty-First Century
  2. Ruth Knezevich
  3. DOI: 10.1353/ort.2011.0033
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  1. “A Misnomer of Sizeable Proportions”: SMS and Oral Tradition
  2. Sarah Zurhellen
  3. DOI: 10.1353/ort.2011.0038
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  1. The Old English Verse Line in Translation: Steps Toward a New Theory of Page Presentation
  2. Derek Updegraff
  3. DOI: 10.1353/ort.2011.0011
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  1. Communication Then and Now
  2. Bruce E. Shields
  3. DOI: 10.1353/ort.2011.0016
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  1. Remix: Pathways of the Mind
  2. Morgan E. Grey
  3. DOI: 10.1353/ort.2011.0021
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  1. A Personal Appreciation: How John Miles Foley Laid the Foundation for My Life in an Ashram
  2. Ward Parks
  3. DOI: 10.1353/ort.2011.0026
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  1. Annotated Bibliography of Works by John Miles Foley
  2. R. Scott Garner
  3. DOI: 10.1353/ort.2011.0031
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  1. About the Authors
  2. DOI: 10.1353/ort.2011.0036
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  1. Foreword
  2. Joseph Falaky Nagy
  3. DOI: 10.1353/ort.2011.0019
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  1. Introduction and Tabula Gratulatoria
  2. Lori Ann Garner, R. Scott Garner
  3. DOI: 10.1353/ort.2011.0024
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