In this Issue

Table of Contents

The William Blake Project

Karen Mulhallen
pp. 779-785
DOI: https://doi.org/10.1353/utq.2011.0160
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William Blake’s Milton/A Poem and the Miltonic Matrix of 1791–1810

Morton D. Paley
pp. 786-814
DOI: https://doi.org/10.1353/utq.2011.0162
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Blake and the Banknote Crises of 1797, 1800, and 1818

Mark Crosby
pp. 815-836
DOI: https://doi.org/10.1353/utq.2011.0163
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‘In the Mouth of a True Orator’ (Jerusalem’s Operating Instructions)

Susanne Sklar
pp. 837-857
DOI: https://doi.org/10.1353/utq.2011.0164
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‘humble but respectable’: Recovering the Neighbourhood Surrounding William and Catherine Blake’s Last Residence, No. 3 Fountain Court, Strand, c. 1820–27

Angus Whitehead
pp. 858-879
DOI: https://doi.org/10.1353/utq.2011.0156
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Remember Me! Customs and Costumes of Blake’s Gift Book

G. E. Bentley Jr.
pp. 880-892
DOI: https://doi.org/10.1353/utq.2011.0157
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‘Catalogue of Some of Blake’s Pictures at “The Salterns”’: Captain Butts as Exhibitor, Litigator, and Co-Heir (With His Sister Blanche)

Mary Lynn Johnson
pp. 893-917
DOI: https://doi.org/10.1353/utq.2011.0159
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‘Without Contraries There is No Progression’: Cinematic Montage and the Relationship of Illustration to Text in William Blake’s The [First] Book of Urizen

Garry Leonard
pp. 918-934
DOI: https://doi.org/10.1353/utq.2011.0161
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Contributors

p. 1
DOI: https://doi.org/10.1353/utq.2011.0158
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