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In this Issue

Table of Contents

  1. Old Times in Werewolf of London
  2. Robert Spadoni
  3. pp. 3-20
  4. restricted access
  1. The Auteur as Fool: Bakhtin, Barthes, and the Screen Performances of Woody Allen and Jean-Luc Godard
  2. Cecilia Sayad
  3. pp. 21-34
  4. restricted access
  1. A Distinguished Burglar: The Cinematic Life of a Criminal Social Type
  2. Jacob Smith
  3. pp. 35-43
  4. restricted access
  1. Editing Subject-Filmed Documentary: Steve James and The War Tapes
  2. Lilly Ann Boruszkowski
  3. pp. 44-52
  4. restricted access
  1. Citizen Spielberg, and: Directed by Steven Spielberg: Poetics of the Contemporary Hollywood Blockbuster (review)
  2. Frank P. Tomasulo
  3. pp. 53-59
  4. restricted access
  1. Three Documentary Filmmakers: Erroll Morris, Ross McElwee, Jean Rouch (review)
  2. Mark Freeman
  3. pp. 59-61
  4. restricted access
  1. Confronting the “Dirty War” in Argentine Cinema, 1983–1993: Memory and Gender in Historical Representations (review)
  2. Bécquer Medak-Seguín
  3. pp. 62-63
  4. restricted access
  1. The Production Assistant’s Pocket Handbook: Because Nobody Has Time to Tell You What You Need to Know, and: Film Crew 101: Tips, Tricks & Secrets for Success from Motion Picture Professionals, and: Media Career Guide 7: Preparing for Jobs in the 21st Century (review)
  2. Paul T. M. Hemenway
  3. pp. 63-64
  4. restricted access
  1. The Religious Film: Christianity and the Hagiopic (review)
  2. Jennifer Fleeger
  3. pp. 64-66
  4. restricted access
  1. Red, White & Black: Cinema and the Structure of U.S. Antagonisms (review)
  2. Malia Bruker
  3. pp. 66-69
  4. restricted access
  1. Index to Volume 63
  3. pp. 70-71
  4. restricted access