In this Issue

Table of Contents

Preface

Sarah Banet-Weiser
pp. v-vi
DOI: https://doi.org/10.1353/aq.2011.0034
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Introduction: Listening to American Studies

Kara Keeling, Josh Kun
pp. 445-459
DOI: https://doi.org/10.1353/aq.2011.0037
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Sound Technologies and Subjectivities

Splitting Sight and Sound: Thomas Dewing’s A Reading, Gilded Age Women, and the Phonograph

Asma Naeem
pp. 461-485
DOI: https://doi.org/10.1353/aq.2011.0040
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Intimacy Threats and Intersubjective Users: Telephone Training Films, 1927–1962

D. Travers Scott
pp. 487-507
DOI: https://doi.org/10.1353/aq.2011.0043
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“What, for me, constitutes life in a sound?”: Electronic Sounds as Lively and Differentiated Individuals

Tara Rodgers
pp. 509-530
DOI: https://doi.org/10.1353/aq.2011.0046
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Audible Citizenship and Audiomobility: Race, Technology, and CB Radio

Art M. Blake
pp. 531-553
DOI: https://doi.org/10.1353/aq.2011.0049
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The Recording Studio on Stage: Liveness in Ma Rainey’s Black Bottom

Jessica E. Teague
pp. 555-571
DOI: https://doi.org/10.1353/aq.2011.0032
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Quiet Comfort: Noise, Otherness, and the Mobile Production of Personal Space

Mack Hagood
pp. 573-589
DOI: https://doi.org/10.1353/aq.2011.0036
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Sounding Race, Ethnicity, and Gender

“An Indian in a White Man’s Camp”: Johnny Cash’s Indian Country Music

Dustin Tahmahkera
pp. 591-617
DOI: https://doi.org/10.1353/aq.2011.0039
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Abolitionism’s Resonant Bodies: The Realization of African American Performance

Alex W. Black
pp. 619-639
DOI: https://doi.org/10.1353/aq.2011.0042
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Marian Anderson and “Sonic Blackness” in American Opera

Nina Sun Eidsheim
pp. 641-671
DOI: https://doi.org/10.1353/aq.2011.0045
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Soul Vibrations: Black Music and Black Freedom in Sound and Space

Gayle Wald
pp. 673-696
DOI: https://doi.org/10.1353/aq.2011.0048
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Back Door Man: Howlin’ Wolf and the Sound of Jim Crow

Eric Lott
pp. 697-710
DOI: https://doi.org/10.1353/aq.2011.0031
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Touching Listening: The Aural Imaginary in the World Music Culture Industry

Roshanak Kheshti
pp. 711-731
DOI: https://doi.org/10.1353/aq.2011.0035
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Sound, Citizenship, and the Public Sphere

The “War on Noise”: Sound and Space in La Guardia’s New York

Lilian Radovac
pp. 733-760
DOI: https://doi.org/10.1353/aq.2011.0038
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Forced Listening: The Contested Use of Loudspeakers for Commercial and Political Messages in the Public Soundscape

Ronda L. Sewald
pp. 761-780
DOI: https://doi.org/10.1353/aq.2011.0041
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Reproducing U.S. Citizenship in Blackboard Jungle: Race, Cold War Liberalism, and the Tape Recorder

Jennifer Stoever-Ackerman
pp. 781-806
DOI: https://doi.org/10.1353/aq.2011.0044
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Sounds of Surveillance: U.S. Spanish-Language Radio Patrols La Migra

Dolores Inés Casillas
pp. 807-829
DOI: https://doi.org/10.1353/aq.2011.0047
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The Political Agency of Musical Beauty

Barry Shank
pp. 831-855
DOI: https://doi.org/10.1353/aq.2011.0030
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Contributors

Contributors

pp. 857-862
DOI: https://doi.org/10.1353/aq.2011.0033
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