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Table of Contents

  1. Humani nil a me alienum puto: The Ethics of Terentian Performance
  2. Niall W. Slater
  3. pp. 1-21
  4. DOI: https://doi.org/10.1353/syl.1999.0011
  5. restricted access
  1. Staging Ancient Drama: The Difference Women Make
  2. Mary-Kay Gamel
  3. pp. 22-42
  4. DOI: https://doi.org/10.1353/syl.1999.0013
  5. restricted access
  1. ϵὔνους καὶ πóλϵι σωτήριος / μϵ́τοικος: Metics, Tragedy, and Civic Ideology
  2. Geoff Bakewell
  3. pp. 43-64
  4. DOI: https://doi.org/10.1353/syl.1999.0000
  5. restricted access
  1. Orchestra and Stage in Sophocles: Oedipus Tyrannus and the Theater of Dionysus
  2. Stephen Scully
  3. pp. 65-86
  4. DOI: https://doi.org/10.1353/syl.1999.0002
  5. restricted access
  1. Knowledge and Authority in the Choral Voice of Euripidean Tragedy
  2. Donald J. Mastronarde
  3. pp. 87-104
  4. DOI: https://doi.org/10.1353/syl.1999.0004
  5. restricted access
  1. Quis Hic Loquitur?: Plautine Delivery and the “Double Aside”
  2. C.W. Marshall
  3. pp. 105-129
  4. DOI: https://doi.org/10.1353/syl.1999.0007
  5. restricted access
  1. Facing the Music: Character and Musical Accompaniment in Roman Comedy
  2. Timothy Moore
  3. pp. 130-153
  4. DOI: https://doi.org/10.1353/syl.1999.0010
  5. restricted access
  1. Performance and Iconographic Tradition in the Illustrations of Menander
  2. Eric Csapo
  3. pp. 154-188
  4. DOI: https://doi.org/10.1353/syl.1999.0012
  5. restricted access
  1. Reconstructing Ancient Theater with the Aid of Computer Simulation
  2. Richard Beacham
  3. pp. 189-214
  4. DOI: https://doi.org/10.1353/syl.1999.0014
  5. restricted access
  1. Senecanism and the “Sulla” Operas of Handel and Mozart
  2. Robert C. Ketterer
  3. pp. 215-234
  4. DOI: https://doi.org/10.1353/syl.1999.0001
  5. restricted access
  1. "A New Athens Rising Near the Pole": Canada and the Greek Exemplum 1606–1954
  2. Moira Day
  3. pp. 235-258
  4. DOI: https://doi.org/10.1353/syl.1999.0003
  5. restricted access
  1. Unsuitable for Women and Children?: Greek Tragedies in Modern British Theaters
  2. Ruth Hazel
  3. pp. 259-277
  4. DOI: https://doi.org/10.1353/syl.1999.0006
  5. restricted access
  1. Cross-Referencing the Stages: The Collection, Research, and Database of the Archive of Performances of Greek and Roman Drama at the University of Oxford
  2. David Gowen
  3. pp. 278-282
  4. DOI: https://doi.org/10.1353/syl.1999.0009
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  1. Preface
  2. John R. Porter
  3. pp. v-x
  4. DOI: https://doi.org/10.1353/syl.1999.0005
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  1. List of Abbreviations Used in This Volume
  3. pp. xi-xii
  4. DOI: https://doi.org/10.1353/syl.1999.0008
  5. restricted access

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