1. Freakery, Cult Films, and the Problem of Ambivalence
  2. David Church
  3. pp. 3-17
  4. DOI: 10.1353/jfv.2011.0003
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  1. Mel Brooks Meets Kenneth Burke (and Mikhail Bakhtin): Comedy and Burlesque in Satiric Film
  2. Beth E. Bonnstetter
  3. pp. 18-31
  4. DOI: 10.1353/jfv.2011.0005
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  1. "The play's the thing, wherein I'll catch the conscience of the king": Intertextuality in Om Shanti Om
  2. Sudha Shastri
  3. pp. 32-43
  4. DOI: 10.1353/jfv.2011.0007
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  1. The Illusion of Continuity: Active Perception and the Classical Editing System
  2. Todd Berliner, Dale J. Cohen
  3. pp. 44-63
  4. DOI: 10.1353/jfv.2011.0008
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  1. Global Bollywood
  2. Anne Slatton
  3. pp. 64-66
  4. DOI: 10.1353/jfv.2011.0000
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  1. Scenes of Instruction: The Beginnings of the U.S. Study of Film
  2. Carey Martin
  3. pp. 66-67
  4. DOI: 10.1353/jfv.2011.0001
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  1. Digital Storytelling: The Narrative Power of Visual Effects in Film
  2. Robert B. Musburger
  3. pp. 67-69
  4. DOI: 10.1353/jfv.2011.0002
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  1. Why We Fought: America's Wars in Film and History
  2. Sean D. Cleveland
  3. pp. 69-71
  4. DOI: 10.1353/jfv.2011.0004
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  1. The Contemporary Hollywood Film Industry
  2. Justin Philpot
  3. pp. 71-72
  4. DOI: 10.1353/jfv.2011.0006
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