1. George Woodyard, 1934-2010
  2. Jacqueline Eyring Bixler
  3. pp. 5-8
  4. DOI: 10.1353/ltr.2010.0003
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  1. Disonancias musicales: violencia y performance en Cuarteto de Eduardo Rovner
  2. Priscilla Meléndez
  3. pp. 9-28
  4. DOI: 10.1353/ltr.2010.0007
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  1. "Home is where theatre is": Performing Dominican Transnationalism
  2. Camilla Stevens
  3. pp. 29-48
  4. DOI: 10.1353/ltr.2010.0011
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  1. D.F.: el mural citadino de Emilio Carballido
  2. Beatriz J. Rizk
  3. pp. 49-59
  4. DOI: 10.1353/ltr.2010.0015
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  1. Provoking Intimacies: Staging Las relaciones de Clara in Havana
  2. Bretton White
  3. pp. 61-78
  4. DOI: 10.1353/ltr.2010.0019
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  1. El derecho a la identidad y su correlato escénico en A propósito de la duda, de Patricia Zangaro
  2. Mónica Botta
  3. pp. 79-92
  4. DOI: 10.1353/ltr.2010.0023
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  1. Carnivalizing Carnival-Land in the Urban Sertões of Teatro Oficina
  2. Carla Melo
  3. pp. 93-113
  4. DOI: 10.1353/ltr.2010.0001
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  1. Zola, el naturalismo y la identidad nacional en tres dramas de Florencio Sánchez
  2. Francisco García Rubio
  3. pp. 115-128
  4. DOI: 10.1353/ltr.2010.0005
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  1. International Theatre Festival in Jerusalem, November 23-26, 2008
  2. Nora Glickman
  3. pp. 129-131
  4. DOI: 10.1353/ltr.2010.0009
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  1. Spring 2010 Theatre Season in Mexico City
  2. Timothy G. Compton
  3. pp. 133-143
  4. DOI: 10.1353/ltr.2010.0013
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  1. Reportaje al pie de la escena
  2. Víctor Reyna
  3. pp. 145-150
  4. DOI: 10.1353/ltr.2010.0017
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  1. El gran circo eucraniano by Myrna Casas
  2. Wilma Feliciano
  3. pp. 151-152
  4. DOI: 10.1353/ltr.2010.0021
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  1. Segunda edición del Festival Transteatral en Praga
  2. Daniel Vázquez
  3. pp. 153-155
  4. DOI: 10.1353/ltr.2010.0025
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  1. 10th International Festival of Theatre, Belo Horizonte, Brazil
  2. Margo Milleret, Rachel Spaulding
  3. pp. 157-159
  4. DOI: 10.1353/ltr.2010.0004
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  1. De la dramaturgia a la promotoría dramatúrgica: vigencia, pertinencia y trascendencia de Tramoya
  2. Hugo Salcedo
  3. pp. 161-168
  4. DOI: 10.1353/ltr.2010.0008
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  1. Una casa para el teatro
  2. María Bonilla
  3. pp. 169-171
  4. DOI: 10.1353/ltr.2010.0012
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  1. Premios Teatro del Mundo en el Rojas 2008-2009
  2. pp. 173-174
  3. DOI: 10.1353/ltr.2010.0016
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  1. Osvaldo Obregón recibe Premio Carlos Porto en el Festival de Almada
  2. George Woodyard
  3. pp. 175-176
  4. DOI: 10.1353/ltr.2010.0020
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  1. Miguel Ángel Giella recibe el Premio Armando Discépolo en Buenos Aires
  2. George Woodyard
  3. pp. 177-178
  4. DOI: 10.1353/ltr.2010.0024
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  1. Juana Sujo (review)
  2. Nora Glickman
  3. pp. 179-180
  4. DOI: 10.1353/ltr.2010.0002
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  1. Estéticas de la periferia. El teatro en el Gran Buenos Aires Sur (review)
  2. María Natacha Koss
  3. pp. 180-182
  4. DOI: 10.1353/ltr.2010.0006
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  1. El Caraja-ji (primera parte) — Lo joven, la tradición y los años noventa (review)
  2. María Fukelman
  3. pp. 182-183
  4. DOI: 10.1353/ltr.2010.0010
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  1. Antígona: Una tragedia latinoamericana (review)
  2. Guillermo Schmidhuber de la Mora
  3. pp. 183-185
  4. DOI: 10.1353/ltr.2010.0014
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  1. Trans/Acting Latin American and Latino Performing Arts (review)
  2. Melissa Fitch
  3. pp. 185-186
  4. DOI: 10.1353/ltr.2010.0018
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  1. Ofelia Zapata "Petrona": Una vida dedicada al teatro regional (review)
  2. Beatriz J. Rizk
  3. pp. 190-192
  4. DOI: 10.1353/ltr.2010.0000
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