+ MUSE Alert

In this Issue

Table of Contents

  1. Gender and the Discourse of Decay in El burlador de Sevilla
  2. Everett W. Hesse
  3. pp. 155-163
  4. DOI: https://doi.org/10.1353/boc.1995.0021
  5. restricted access
  1. Female Presence in Tirso's El burlador de Sevilla
  2. Susana Pendzik
  3. pp. 165-181
  4. DOI: https://doi.org/10.1353/boc.1995.0000
  5. restricted access
  1. El burlador de Sevilla: Claramente de Tirso, y no de Claramonte (Breve anotación crítica)
  2. Luis Vázquez
  3. pp. 183-190
  4. DOI: https://doi.org/10.1353/boc.1995.0004
  5. restricted access
  1. Reading the Opening of a Play: Tirso's El burlador de Sevilla
  2. Isaac Benabu
  3. pp. 191-200
  4. DOI: https://doi.org/10.1353/boc.1995.0008
  5. restricted access
  1. The End: Modern Productions of El burlador de Sevilla, with Special Attention to Closings
  2. Barbara Mujica
  3. pp. 201-222
  4. DOI: https://doi.org/10.1353/boc.1995.0013
  5. restricted access
  1. Don Juan in Cyberspace: Editing a Comedia on the Information Superhighway
  2. Angela Moll
  3. pp. 245-266
  4. DOI: https://doi.org/10.1353/boc.1995.0020
  5. restricted access
  1. Comedy's Social Compromise: Tirso's Marta la piadosa and the Refashioning of Role
  2. Jonathan W. Thacker
  3. pp. 267-289
  4. DOI: https://doi.org/10.1353/boc.1995.0024
  5. restricted access
  1. The Oedipal Drama of Tirso's La república al revés
  2. Christopher B. Weimer
  3. pp. 291-309
  4. DOI: https://doi.org/10.1353/boc.1995.0003
  5. restricted access
  1. The Indiano as Liminal Figure in the Drama of Tirso and His Contemporaries
  2. Barbara Simerka
  3. pp. 311-320
  4. DOI: https://doi.org/10.1353/boc.1995.0007
  5. restricted access
  1. Purging Humor(s): Medical and Scatological Imagery in Tirso de Molina
  2. John T. Cull
  3. pp. 321-339
  4. DOI: https://doi.org/10.1353/boc.1995.0011
  5. restricted access