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Table of Contents

  1. Editor's Note
  2. Edward H. Friedman
  3. p. 9
  4. DOI: https://doi.org/10.1353/boc.2007.0008
  5. restricted access
  1. La poética de la risa en los pasos de Lope de Rueda
  2. Ranka Minic-Vidovic
  3. pp. 11-37
  4. DOI: https://doi.org/10.1353/boc.2007.0010
  5. restricted access
  1. "Narigante escudero": Máscara y representación en Don Quijote
  2. María Luisa Lobato
  3. pp. 39-67
  4. DOI: https://doi.org/10.1353/boc.2007.0001
  5. restricted access
  1. The "Severed Gate": Staging the Versatility and (Im)Permeability of the Reja
  2. Laura L. Vidler
  3. pp. 69-88
  4. DOI: https://doi.org/10.1353/boc.2007.0003
  5. restricted access
  1. The Song of History in Calderón's El médico de su honra
  2. Gabriela Carrión
  3. pp. 89-108
  4. DOI: https://doi.org/10.1353/boc.2007.0005
  5. restricted access
  1. Calderón, Velázquez y el arte de develar las formas de construcción de la realidad
  2. Carolyn Wolfenzon
  3. pp. 109-130
  4. DOI: https://doi.org/10.1353/boc.2007.0006
  5. restricted access
  1. Women's Kingdoms: Female Monarchs by Two Women Dramatists of Seventeenth-Century Spain and France
  2. Thomas P. Finn
  3. pp. 131-148
  4. DOI: https://doi.org/10.1353/boc.2007.0007
  5. restricted access
  1. La traición en la amistad: The Convenient Demonization of Fenisa and the Subsequent Creation of the "Other"
  2. Monica Leoni
  3. pp. 149-166
  4. DOI: https://doi.org/10.1353/boc.2007.0009
  5. restricted access
  1. How Is a Narcissistic Christ Possible?: The Theological Tradition behind Sor Juana's El Divino Narciso
  2. Jonathan Ellis
  3. pp. 167-184
  4. DOI: https://doi.org/10.1353/boc.2007.0000
  5. restricted access
  1. Lope en 1604, and: Obras completas: Cuarta Parte de Comedias I, and: Teatro completo (review)
  2. Thomas Austin O'Connor
  3. pp. 185-186
  4. DOI: https://doi.org/10.1353/boc.2007.0002
  5. restricted access
  1. Chamizal
  2. A. Robert Lauer
  3. pp. 187-218
  4. DOI: https://doi.org/10.1353/boc.2007.0004
  5. restricted access