In this Issue

Table of Contents

Editor's Note

Edward H. Friedman
p. 9
DOI: https://doi.org/10.1353/boc.2007.0008
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La poética de la risa en los pasos de Lope de Rueda

Ranka Minic-Vidovic
pp. 11-37
DOI: https://doi.org/10.1353/boc.2007.0010
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"Narigante escudero": Máscara y representación en Don Quijote

María Luisa Lobato
pp. 39-67
DOI: https://doi.org/10.1353/boc.2007.0001
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The "Severed Gate": Staging the Versatility and (Im)Permeability of the Reja

Laura L. Vidler
pp. 69-88
DOI: https://doi.org/10.1353/boc.2007.0003
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The Song of History in Calderón's El médico de su honra

Gabriela Carrión
pp. 89-108
DOI: https://doi.org/10.1353/boc.2007.0005
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Calderón, Velázquez y el arte de develar las formas de construcción de la realidad

Carolyn Wolfenzon
pp. 109-130
DOI: https://doi.org/10.1353/boc.2007.0006
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Women's Kingdoms: Female Monarchs by Two Women Dramatists of Seventeenth-Century Spain and France

Thomas P. Finn
pp. 131-148
DOI: https://doi.org/10.1353/boc.2007.0007
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La traición en la amistad: The Convenient Demonization of Fenisa and the Subsequent Creation of the "Other"

Monica Leoni
pp. 149-166
DOI: https://doi.org/10.1353/boc.2007.0009
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How Is a Narcissistic Christ Possible?: The Theological Tradition behind Sor Juana's El Divino Narciso

Jonathan Ellis
pp. 167-184
DOI: https://doi.org/10.1353/boc.2007.0000
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Lope en 1604, and: Obras completas: Cuarta Parte de Comedias I, and: Teatro completo (review)

Thomas Austin O'Connor
pp. 185-186
DOI: https://doi.org/10.1353/boc.2007.0002
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Chamizal

A. Robert Lauer
pp. 187-218
DOI: https://doi.org/10.1353/boc.2007.0004
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