1. Black Voices, White Bodies: The Performance of Race and Gender in How Long Brethren
  2. Susan Manning
  3. pp. 24-46
  4. DOI: 10.1353/aq.1998.0006
  5. restricted access View |
  1. "Give an Imitation of Me": Vaudeville Mimics and the Play of the Self
  2. Susan A. Glenn
  3. pp. 47-76
  4. DOI: 10.1353/aq.1998.0003
  5. restricted access View |
  1. "You Wouldn't Want One of 'Em Dancing With Your Wife": Racialized Bodies on the Job in World War II
  2. Eileen Boris
  3. pp. 77-108
  4. DOI: 10.1353/aq.1998.0048
  5. restricted access View |
  1. Open Secrets: Memory, Imagination, and the Refashioning of Southern Identity
  2. Jacquelyn Dowd Hall
  3. pp. 109-124
  4. DOI: 10.1353/aq.1998.0004
  5. restricted access View |
  1. Talkin' Proper
  2. Bette Ford
  3. pp. 125-129
  4. DOI: 10.1353/aq.1998.0002
  5. restricted access View |
  1. Not hell, home
  2. Timothy J. Meagher
  3. pp. 130-148
  4. DOI: 10.1353/aq.1998.0001
  5. restricted access View |
  1. Ain't I a symbol?
  2. Karen Sánchez-Eppler
  3. pp. 149-157
  4. DOI: 10.1353/aq.1998.0051
  5. restricted access View |
  1. "Stealing steps": African American dance and American culture
  2. Mary Neth
  3. pp. 158-165
  4. DOI: 10.1353/aq.1998.0050
  5. restricted access View |
  1. Figures of beauty, figures of nation: global contests of femininity
  2. Sarah Banet-Weiser
  3. pp. 166-174
  4. DOI: 10.1353/aq.1998.0049
  5. restricted access View |
  1. "Telling ghost stories: reflections on history and Hollywood"
  2. J. David Slocum
  3. pp. 175-182
  4. DOI: 10.1353/aq.1998.0053
  5. restricted access View |
  1. Ethnographic film and the popular imagination
  2. Brenda Jo Bright
  3. pp. 183-191
  4. DOI: 10.1353/aq.1998.0052
  5. restricted access View |
  1. Hollywood and the culture wars
  2. Francis G. Couvares
  3. pp. 192-200
  4. DOI: 10.1353/aq.1998.0047
  5. restricted access View |