1. The Comic Ethos of Il Principe
  2. Angus Fletcher
  3. pp. 293-315
  4. DOI: 10.1353/cdr.0.0070
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  1. Fletcher, Massinger, and Roman Imperial Character
  2. John E. Curran Jr.
  3. pp. 317-354
  4. DOI: 10.1353/cdr.0.0072
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  1. "Another Play on Salem Witch Trials": Lion Feuchtwanger, Communists, and Nazis
  2. Waltraud Maierhofer
  3. pp. 355-378
  4. DOI: 10.1353/cdr.0.0068
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  1. The Earliest Middle English Interludes
  2. Stephanie Thompson Lundeen
  3. pp. 379-400
  4. DOI: 10.1353/cdr.0.0069
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  1. Stone Tower: The Political Theater of Arthur Miller (review)
  2. Christopher Bigsby
  3. pp. 401-402
  4. DOI: 10.1353/cdr.0.0067
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  1. Sophocles and Alcibiades: Athenian Politics in Ancient Greek Literature (review)
  2. Rush Rehm
  3. pp. 402-405
  4. DOI: 10.1353/cdr.0.0077
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  1. Reading the Jewish Woman on the Elizabethan Stage (review)
  2. Michael M. Chemers
  3. pp. 406-408
  4. DOI: 10.1353/cdr.0.0071
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  1. Shakespeare and Garrick (review)
  2. Fiona Ritchie
  3. pp. 408-412
  4. DOI: 10.1353/cdr.0.0073
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  1. Blood Relations: Christian and Jew in "The Merchant of Venice" (review)
  2. Andrew Hadfield
  3. pp. 412-414
  4. DOI: 10.1353/cdr.0.0076
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  1. Stage Fright: Politics and the Performing Arts in Late Imperial Russia (review)
  2. Robert Justin Goldstein
  3. pp. 414-416
  4. DOI: 10.1353/cdr.0.0075
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  1. The Influence of Tennessee Williams: Essays on Fifteen American Playwrights (review)
  2. Michael Paller
  3. pp. 416-421
  4. DOI: 10.1353/cdr.0.0066
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  1. Contributors
  2. p. 423
  3. DOI: 10.1353/cdr.0.0074
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