In this Issue

Table of Contents

The Heirs of Buffalo Bill: Performing Authenticity in the Dime Western

Jefferson D. Slagle
pp. 119-138
DOI: https://doi.org/10.1353/crv.0.0033
restricted access

Tonto on Vacation, or How to Be an Indian Lawyer

Chadwick Allen
pp. 139-161
DOI: https://doi.org/10.1353/crv.0.0034
restricted access

Reagan's Rainbow Rodeos: Queer Challenges to the Cowboy Dreams of Eighties America

Christopher Le Coney, Zoe Trodd
pp. 163-183
DOI: https://doi.org/10.1353/crv.0.0035
restricted access

Discourses of Frontier Violence and the Trauma of National Emergence in Larry McMurtry's Lonesome Dove Quartet

Deborah L. Madsen
pp. 185-204
DOI: https://doi.org/10.1353/crv.0.0036
restricted access

From Story to Film: Brokeback Mountain's "In-Between" Spaces

Neil Campbell
pp. 205-220
DOI: https://doi.org/10.1353/crv.0.0037
restricted access

Neo-liberalism and the Western: HBO's Deadwood as National Allegory

Daniel Worden
pp. 221-246
DOI: https://doi.org/10.1353/crv.0.0038
restricted access

Introduction

Christine Bold, Victoria Lamont
pp. 115-118
DOI: https://doi.org/10.1353/crv.0.0032
restricted access