1. Ten Theses to Subvert a Work (A Manifesto)
  2. Allen S. Weiss
  3. pp. 393-394
  4. DOI: 10.1353/tj.2006.0177
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  1. Looking, Listening, and Remembering: Ways to Walk New York after 9/11
  2. Marla Carlson
  3. pp. 395-416
  4. DOI: 10.1353/tj.2006.0146
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  1. Hearing Difference across Theatres: Experimental, Disability, and Deaf Performance
  2. Kanta Kochhar-Lindgren
  3. pp. 417-436
  4. DOI: 10.1353/tj.2006.0159
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  1. "Like a chained man's bruise": The Mediated Body in Eight Songs for a Mad King and Anatomy Theater
  2. T. Nikki Cesare
  3. pp. 437-457
  4. DOI: 10.1353/tj.2006.0147
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  1. The Search for America's Soul: Theatre in the Jazz Age
  2. David Savran
  3. pp. 459-476
  4. DOI: 10.1353/tj.2006.0171
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  1. Sweeney Todd (review)
  3. pp. 477-478
  4. DOI: 10.1353/tj.2006.0152
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  1. The Shaggs: Philosophy of the World (review)
  3. pp. 478-480
  4. DOI: 10.1353/tj.2006.0181
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  1. Valentine's Day Dark Dining (review)
  3. pp. 480-481
  4. DOI: 10.1353/tj.2006.0151
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  1. Handsome Blue Sky (review)
  3. pp. 481-483
  4. DOI: 10.1353/tj.2006.0165
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  1. Mauvais Genre (review)
  3. pp. 483-485
  4. DOI: 10.1353/tj.2006.0167
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  1. L.#09 London Episode of the Tragedia Endogonidia (review)
  3. pp. 485-486
  4. DOI: 10.1353/tj.2006.0169
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  1. Krankenhaus Blues (review)
  3. pp. 486-488
  4. DOI: 10.1353/tj.2006.0175
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  1. Five Foot Feat (review)
  3. pp. 488-490
  4. DOI: 10.1353/tj.2006.0170
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  1. Blessing the Boats (review)
  3. pp. 490-491
  4. DOI: 10.1353/tj.2006.0161
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  1. The Pickle King, Krishnan's Diary, The Candlestickmaker (review)
  3. pp. 491-495
  4. DOI: 10.1353/tj.2006.0183
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  1. Pericles, Prince of Tyre, and: Children of the Sea (review)
  3. pp. 495-498
  4. DOI: 10.1353/tj.2006.0148
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  1. The Winter's Tale (review)
  3. pp. 498-500
  4. DOI: 10.1353/tj.2006.0153
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  1. Passion Play, a Cycle (review)
  3. pp. 500-501
  4. DOI: 10.1353/tj.2006.0149
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  1. A Number (review)
  3. pp. 502-504
  4. DOI: 10.1353/tj.2006.0145
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  1. Teahouse (review)
  3. pp. 504-506
  4. DOI: 10.1353/tj.2006.0142
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  1. Dead End (review)
  3. pp. 506-507
  4. DOI: 10.1353/tj.2006.0158
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  1. In My Life (review)
  3. pp. 508-509
  4. DOI: 10.1353/tj.2006.0168
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  1. Awake and Sing! (review)
  3. pp. 509-511
  4. DOI: 10.1353/tj.2006.0173
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  1. The Rise and Fall of the Broadway Musical (review)
  2. Stacy Ellen Wolf
  3. pp. 513-514
  4. DOI: 10.1353/tj.2006.0180
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  1. Unfinished Show Business: Broadway Musicals as Works-in-Process, and: The American Musical and the Formation of National Identity (review)
  2. Mary Jo Lodge
  3. pp. 514-516
  4. DOI: 10.1353/tj.2006.0163
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  1. Phenomenology of a Puppet Theatre: Contemplations on the Art of Javanese Wayang Kulit (review)
  2. Claudia Orenstein
  3. pp. 516-517
  4. DOI: 10.1353/tj.2006.0166
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  1. Blackface Cuba, 1840-1895 (review)
  2. Patricia Ybarra
  3. pp. 517-518
  4. DOI: 10.1353/tj.2006.0182
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  1. The Last "Darky": Bert Williams, Black-on-Black Minstrelsy, and the African Diaspora (review)
  2. Adrienne C. Macki
  3. pp. 519-520
  4. DOI: 10.1353/tj.2006.0164
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  1. Singing for Freedom: The Hutchinson Family Singers and the Nineteenth-Century Culture of Reform (review)
  2. Beth Schachter
  3. pp. 520-521
  4. DOI: 10.1353/tj.2006.0172
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  1. The Most American Thing in America: Circuit Chautauqua as Performance (review)
  2. Margaret M. Knapp
  3. pp. 521-523
  4. DOI: 10.1353/tj.2006.0157
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  1. The Rhetoric of Sensibility in Eighteenth-Century Culture (review)
  2. Odai Johnson
  3. pp. 523-524
  4. DOI: 10.1353/tj.2006.0154
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  1. Harold Pinter and the Twilight of Modernism, and: Print and the Poetics of Modern Drama (review)
  2. David Krasner
  3. pp. 524-526
  4. DOI: 10.1353/tj.2006.0160
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  1. Playgoing in Shakespeare's London, and: The Shakespeare Company, 1594-1642 (review)
  2. Elizabeth Klett
  3. pp. 526-527
  4. DOI: 10.1353/tj.2006.0156
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  1. Revisionist Shakespeare: Transitional Ideologies in Texts and Contexts, and: Shakespeare's History Plays: Performance, Translation and Adaptation in Britain and Abroad, and: Local Shakespeares: Proximations and Power (review)
  2. Kevin J. Wetmore
  3. pp. 527-529
  4. DOI: 10.1353/tj.2006.0179
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  1. Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture, and: Stages of Dismemberment: The Fragmented Body in Late Medieval and Early Modern Drama (review)
  2. Kim Solga
  3. pp. 529-531
  4. DOI: 10.1353/tj.2006.0174
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  1. Edward Albee: A Casebook (review)
  2. Linda Ben-Zvi
  3. pp. 531-532
  4. DOI: 10.1353/tj.2006.0143
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  1. Eugene O'Neill's Last Plays: Separating Art from Autobiography (review)
  2. J. Chris Westgate
  3. pp. 532-533
  4. DOI: 10.1353/tj.2006.0178
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  1. Arthur Miller: A Critical Study (review)
  2. Richard K. Tharp
  3. pp. 534-535
  4. DOI: 10.1353/tj.2006.0176
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  1. Arthur Miller's America: Theater and Culture in a Time of Change (review)
  2. Alan L. Ackerman
  3. pp. 535-536
  4. DOI: 10.1353/tj.2006.0141
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  1. Our Land is Made of Courage and Glory: Nationalist Performance of Nicaragua and Guatemala (review)
  2. Jodi Kanter
  3. pp. 536-537
  4. DOI: 10.1353/tj.2006.0155
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  1. Revolutionary Acts: Theater, Democracy, and the French Revolution (review)
  2. Mechele Leon
  3. pp. 537-539
  4. DOI: 10.1353/tj.2006.0162
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  1. Editorial comment: hearing theatre
  3. pp. ix-xii
  4. DOI: 10.1353/tj.2006.0150
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  1. Books Received
  3. pp. 540-544
  4. DOI: 10.1353/tj.2006.0144
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