1. Solitude, Singularity, Seriality: Whitman vis-a-vis Fourier
  2. Michael Moon
  3. pp. 303-323
  4. DOI: 10.1353/elh.2006.0019
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  1. The Secret Memoirs of Lemuel Gulliver: Satire, Secrecy, and Swift
  2. Melinda Rabb
  3. pp. 325-354
  4. DOI: 10.1353/elh.2006.0020
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  1. "Describing What Never Happened": Jane Austen and the History of Missed Opportunities
  2. William H. Galperin
  3. pp. 355-382
  4. DOI: 10.1353/elh.2006.0015
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  1. "Naked Truth is the Best Eloquence": Martineau, Dickens, and the Moral Science of Realism
  2. Eleanor Courtemanche
  3. pp. 383-407
  4. DOI: 10.1353/elh.2006.0014
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  1. "One More Picture": Robert Browning's Optical Unconscious
  2. Ivan Kreilkamp
  3. pp. 409-435
  4. DOI: 10.1353/elh.2006.0016
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  1. Sympathy and Telepathy: The Problem of Ethics in George Eliot's The Lifted Veil
  2. Thomas Albrecht
  3. pp. 437-463
  4. DOI: 10.1353/elh.2006.0011
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  1. Cacotopianism, the Paris Commune, and England's Anti-Communist Imaginary, 1870-1900
  2. Matthew Beaumont
  3. pp. 465-487
  4. DOI: 10.1353/elh.2006.0012
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  1. The Victorian Critic as Naturalizing Agent
  2. Jason Camlot
  3. pp. 489-518
  4. DOI: 10.1353/elh.2006.0013
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  1. Terminal Satire and Jude the Obscure
  2. Aaron Matz
  3. pp. 519-547
  4. DOI: 10.1353/elh.2006.0018
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  1. Object-loss and Object-bondage: Economies of Representation in Hardy's Poetry
  2. Marjorie Levinson
  3. pp. 549-580
  4. DOI: 10.1353/elh.2006.0017
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