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A Letter to Serafin is a multi-paneled study of juxtapositions and duplicities, where history becomes a living entity, not just a shadowy artifact. Minczeski colors his lines with dark hues of wry comedy and sharp tones of pathos, transcending geography and time by providing testimony on behalf of those who no longer can. This is a vital book for anyone who has ever been transported by a piece of artwork, or haunted by a photograph that projects meaning beyond its borders. If the aim of poetry is to speak the unspeakable, then John Minczeski gives voice to all that goes unsaid between generations.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
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  1. Contents
  2. pp. v-vi
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  1. A Letter from Serafin
  1. Farm, 1962
  2. pp. 3-4
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  1. Annunciation
  2. p. 5
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  1. October Primrose
  2. pp. 6-7
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  1. Michelangelo: Leda and Zeus
  2. p. 8
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  1. Kraków
  2. p. 9
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  1. Relics
  2. pp. 11-12
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  1. Tree Lilac in Blossom
  2. p. 13
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  1. Prophet
  2. p. 14
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  1. Abraham
  2. p. 15
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  1. A Letter from My Great-Grandfather, Serafin Minczewski
  2. pp. 16-18
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  1. Tour Bus
  1. One Version
  2. pp. 21-22
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  1. The Camps
  2. pp. 23-28
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  1. Resort Town
  1. Tree Lilac: Dust
  2. p. 31
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  1. Madonna with the Outline of a Breast
  2. p. 32
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  1. Leonarda
  2. pp. 33-34
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  1. Jewish Cemetery, Rymanów
  2. p. 35
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  1. Judith and Holofernes
  2. p. 36
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  1. Resort Town
  2. pp. 37-38
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  1. The Davids
  2. pp. 39-41
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  1. Magdalene on the Bus
  2. pp. 42-43
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  1. On Not Smiling
  2. p. 44
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  1. November
  1. November
  2. pp. 47-58
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  1. A Letter to Serafin
  1. Wooden Pencils Are Born
  2. pp. 61-62
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  1. The Last Pietà
  2. p. 63
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  1. Maybe
  2. p. 64
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  1. Lublin, Rain
  2. p. 65
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  1. Thieves of Warsaw
  2. p. 66
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  1. The Prisoners
  2. p. 67
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  1. The Bones
  2. p. 68
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  1. Two White Bowls
  2. pp. 69-70
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  1. In a Spoleto Hotel
  2. p. 71
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  1. A Letter to Serafin
  2. pp. 72-74
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  1. Notes
  2. pp. 75-76
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  1. Acknowledgments
  2. p. 77
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