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287 BIBLIOG| aPHY selected archival sources Byrdcliffe Papers. Joseph Downs Collection of Ephemera, Winterthur Museum and Library, Winterthur, DE. Dow, Arthur Wesley. Papers. Archives of American Art, Smithsonian Institution, Washington, DC. — — —. Papers. Ipswich Historical Society, Ipswich, MA. Fenollosa, Ernest. Papers. Houghton Library, Harvard University, Cambridge, MA. Forbes, Edward W. Papers. Harvard Art Museum Archives. Cambridge, MA. Gardener, Isabella Stewart. Papers. Archives of American Art, Smithsonian Institution, Washington, DC. Hambidge, Jay. Papers. Archives of American Art, Smithsonian Institution, Washington, DC. Ross, Denman Waldo. Papers. Harvard Art Museum Archives, Cambridge, MA. St. Botolph Club. Records. Massachusetts Historical Society, Boston, MA, and Archives of American Art, Washington, DC. Smith, Joseph Lindon. Papers. Archives of American Art, Smithsonian Institution, Washington, DC. books and articles Adams, Elliot Q. ‘‘A Comparison of the Fechner and Munsell Scales of Luminous Sensation Value.’’ Journal of the Optical Society of America and Review of Scientific Instruments 6 (November 1922): 932–39. ‘‘An Addition to the Literature on Aesthetics.’’ Dial, October 1, 1907, 215. Alofsin, Anthony. ‘‘Tempering the École: Nathan Ricker at the University of Illinois and Langford Warren at Harvard.’’ In The History of History in American Schools of Architecture 1865–1975, edited by Gwendolyn Wright and Janet Parks, 73–88. New York: Princeton Architectural Press, 1990. — — —. ‘‘Toward a History of Teaching Architectural History: An Introduction to Herbert Langford Warren.’’ Journal of Architectural Education 37, no.1 (Fall 1983): 2–8. ‘‘Architectural Education.’’ Inland Architect and News Record 18, no. 4 (November 1891): 45–46. Arnett, Willard E. Santayana and the Sense of Beauty. Bloomington: Indiana University Press, 1955. ‘‘Art.’’ Nation, May 30, 1907, 506–7. The Arts and Crafts in Detroit 1906–1976: The Movement, the Society, the School. Detroit: Institute of Arts, 1976. 288 : Bibliography Ashmore, Jerome. Santayana, Art, and Aesthetics. Cleveland: Press of Western Reserve University, 1966. Ashwin, Clive. ‘‘Pestalozzi and the Origins of Pedagogical Drawing.’’ British Journal of Educational Studies 29, no.2 (June 1981): 138–51. Atkinson, Robert. Report on the Education of the Architect in the United States of America. London: W. H. Smith, 1922. Bailey, Henry T. ‘‘Book Reviews.’’ School Arts Book 6, no. 9 (1907): 798–99. — — —. Editorial. School Arts Book 3, no. 4 (March 1904): 336. — — —. Editorial. School Arts Book 3, no. 9 (May 1904): 442. Barnes, Albert C. ‘‘Art Teaching That Obstructs Education,’’ 1925. In Art and Education, edited by John Dewey, 288–93. Philadelphia: Barnes Foundation, 1929. Bartlett, Christopher. ‘‘Decoding Fairfield Porter’s July Interior.’’ American Art 21, no. 1 (March 2007): 98–105. Batchelder, Ernest. ‘‘A Course in the Principles of Design.’’ Inland Printer 29 (June 1902): 381–84, 29 (August 1902): 729–32, and 32 (October 1903): 37–41. — — —. Design in Theory and Practice. New York: Macmillan, 1910. — — —. Principles of Design. Chicago: Inland Printer, 1904. Beck, Walter. Self-Development in Drawing as Interpreted by the Genius of Romano Dazzi and Other Children. New York: Putnam, 1928. Berenson, Bernard. Aesthetics and History. Garden City, NY: Doubleday, 1954. — — —. Florentine Painters of the Renaissance. New York: Putnam, 1896. — — —.The Letters ofBernard Berenson andIsabellaStewart Gardner,1887–1924.Editedand annotatedbyRollinvanN.Hadley.Boston:NortheasternUniversityPress,1987. — — —. The Study and Criticism of Italian Art: Second Series. London: G. Bell, 1910. — — —. Sunset and Twilight: From the Diaries of 1947–1958. New York: Harcourt Brace and World, 1963. — — —. ‘‘A Word for Renaissance Churches,’’ 1890. In Bernard Berenson, The Study and Criticism of Italian Art: Second Series. London: G. Bell, 1910. — — — and Hannah Kiel. The Bernard Berenson Treasury: A Selection from the Works, Unpublished Writings, Letters, Diaries, and Journals, 1887–1958. New York: Simon and Schuster, 1962. Bewer, Francesca G. A Laboratory for Art: Harvard’s Fogg Museum and the Emergence of Conservation in America 1900–1950. Cambridge, MA: Harvard University Art Museums, 2010. Birren, Faber. Color: A Survey in Words and Pictures. New York: Van Nostrand, 1963. — — —. History of Color in Painting. New York: Van Nostrand, 1965. — — —. Introduction. In Ogden N. Rood, Modern Chromatics: Students’ Text-book of Color, with Applications to Art and Industry, 1–63. Including a facsimile of the 1st American edition of 1879. New York: Van Nostrand Reinhold, 1973. — — —. Munsell: A Grammar of Color. New York: Van Nostrand, 1969. Blanc, Charles. The Grammar of Painting and Engraving. Translated by Kate Newell Doggett. New York: Hurd and Houghton, 1874. [18.218.168.16] Project MUSE (2024-04-26 10:26 GMT) Bibliography : 289 Blaszczyk, Regina L. The Color Revolution. Cambridge, MA: MIT Press, forthcoming. Bookbinder, Judith. Boston Modern: Figurative Expressionism as Alternative Modernism. Hanover, NH: University Press of New England, 2005...

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